C. Everett Koop (Charles Everett Koop) Quotes
Polls that have been taken by kindergarten, first- and second-grade teachers indicate that 30 percent of the kids have been deprived in some way so that they are physically unable to keep up with the class.
Quotes to Explore
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I write in a small office at home.
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My dad always said, 'Don't worry what people think, because you can't change it.'
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I didn't grow up listening to The Smiths, but now I am a fan. I love his music and listened to so much of it for the film. It's not a regular biopic; they picked a part of his life that people don't really know about. You learn what informs his lyrics.
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The beauty of kids is they don't care who you are, which is why people like the Obamas like them so much - they treat them like normal people.
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I don't ever remember a single day of hopelessness. I knew from the history of the labor movement, especially of the black people, that it was an undertaking of great trial. That, live or die, I had to stick with it, and we had to win.
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I think success is very hard work, so, you know, if you work hard and you have some success, you have to give up something.
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Is literature more important than hurting people? You can't argue that. You can't say it. It's impossible.
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Dark chocolate, and salt and vinegar chips are my weakness - but not together.
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My dad was a voracious news consumer. I remember just sitting with my family all the time. I would sit on his lap and read the paper with him. He would read it to me.
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When you're writing a novel - at least the way I write is I work from what I would call 'emotional atmosphere,' ambiance to ambiance.
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Sorrel adds a unique grassy sharpness to salads and dressings, but it can be hard to come by.
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ISIS is at war with America, but America is not at war with ISIS - not the president, nor the Congress, and certainly not the American people.
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When you're a kid you're already trying to create your own world and organize the one in front of you, but then you get all insecure around 6th grade and don't think you have a right to share that.
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I tried to take seriously the idea that if you tortured language you might arrive at some new truth. Later it became clear to me that I was retreading ground by fighting the literary battles of the 1950s and 1960s, and that I was actually a bit bored by some of the books I professed to love.
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I've been things and seen places.
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I remember my very first audition for a film. I was in Seattle. They were taping the session, and I just went crazy. The director finally said, 'Zoe, what are you doing? The camera's right here. Just talk to me.' And it took that director saying that to me to change everything.
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I hardly ever write when I'm just feeling great.
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Somebody gave me this drum machine and somebody else asked me to program something for a project. I really liked programming and I was really interested in using the drum machine.
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I really love New York, and I've lived here for a long time. I know not just the different neighborhoods but the different kind of class cultures in New York from the up-and-coming, down-and-out kind of artist to the powerful worlds of finance.
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I don't believe in being serious about anything. I think life is too serious to be taken seriously.
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I am successful if I manage to make a film that I want and if it works emotionally for the audience and if it stays with them after the screening and means something for them. Awards or money have symbolic power.
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It's always about trying to make everything go with the music, like a script. It's not like, 'Let's have a confetti gun!' If I ever have one of those, it will be because it's absolutely the right thing at the moment in the song. I can't just go get a confetti gun.
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The first principle of a civilized state is that the power is legitimate only when it is under contract.
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Polls that have been taken by kindergarten, first- and second-grade teachers indicate that 30 percent of the kids have been deprived in some way so that they are physically unable to keep up with the class.
