Daisy Donovan Quotes
Quotes to Explore
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Where having been an actor was extremely helpful to me was in casting. That's where I think a director who has acted can really shine, and casting is the most important thing you do.
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So I went to English school, secondary English school, so forget going to Mecca for my religious education.
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I think what 'The Monster' means to me is I find it really hard - like a lot of other people in the world - to really be OK in my own skin. It was a message to myself saying, 'It's OK that you're not perfect.' I'm gonna learn to love myself and accept myself, even though I'm a little crazy.
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Stars arrive on their own timetable.
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Reproof on her lip, but a smile in her eye.
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Well, I - you know, the scripture says that God works by faith. And you have to have faith. You have to have trust in God so that God can work.
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I love road trips! My husband and I love that. We bought a truck with a bench seat so we could put the dog in the middle.
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Architecture is undistinguished, sometimes derelict, but occasionally, as in 'Post and Beam,' there is something arresting in a setting... the building behind the Cathedral.
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Becoming a vampire means completely changing your identity.
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A good opening and a good ending make for a good film provide they come close together.
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If you taste something, you're not at the maximum of your ability. What I think about in competition is temperature and texture. It has nothing to do with taste or emotion.
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The only thing documentary filmmakers have to work with, at least the way I make films, is trust. That's been true of everyone from James Carville and George Stephanopoulos to the kids in 'American High' to the soldiers in 'Military Diaries' to Anna Wintour to Dick Cheney.
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I just want to continue the success and be an athlete that is shown in a good light in New York City.
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It was in the Papal States that I studied the Roman Question. I traveled over every part of the country; I conversed with men of all opinions, examined things very closely, and collected my information on the spot.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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I listened to it last night for the first time since we started this project. I went out to my car and put it in and went to an empty parking lot and just listened and read the little pamphlet that came with it. After two or three songs I burst into tears.
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What man is there, surrounded though he be with the love of wife and children, who does not retain a memory of the romantic affection of boys for each other? Having felt it, he could scarcely have forgotten it, and if he never felt it, he missed one of the most golden of the prizes of youth, unrecapturable in mature life.
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I've always been really, really aware of my insecurities - really, really aware. I never developed that thick skin that keeps you from letting things get to you.
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In the studio, there's no tiptoeing. As opposed to big, blow-out arguments, there are just lots of little solutions.
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I love to clean.
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I remember Pavarotti telling me, 'Oh, Neil, after seventy, the voice is going to go.' But I've been lucky. You almost have to learn how to sing all over again. You use your diaphragm more. You have to choose the notes and pace yourself.
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I do more than reflect and respect this country, I fight for it...the question for Canadians is 'Can we win?' Yes, we can win except when we are fighting ourselves.
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My dad always said, 'Don't worry what people think, because you can't change it.'
