Doris Day Quotes
When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
Quotes to Explore
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Anything worth doing is worth doing slowly.
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I can't say anything I don't love about Seattle.
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I'm not keeping track, but the record is there for someone to break.
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Anything looked at closely becomes wonderful.
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Food can change anything.
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A poet's autobiography is his poetry. Anything else is just a footnote.
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I won't do anything unless it's the absolute best.
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'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies – they said they didn't get me, which is fine, I suppose.
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I don't fear anything now.
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Amazon has historically been a bully, and I don't shop there. But I love Goodreads. For the record.
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I have a relatively good track record.
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Repeating is harder than anything else.
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I don't do anything just 'cause nothing else is happening, or for money.
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I have never said anything critical about Ozzy that he didn't say about himself many times.
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I don't want to be known as the Hilton heiress, because I didn't do anything for that.
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Lebanon is a Syrian protectorate. The Lebanese dare not do anything without the approval of Damascus.
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Would I have traded 'Homeland' for anything else? No. Would I trade 'Billions' for anything else? No.
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I wish no teams had cheerleaders. I find it more distracting than anything else.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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I tried out the unfamiliar syllables. They fit. They cracked in my ears like a fist through ice.
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When you keep quiet, people fill in their own most intelligent thoughts on your behalf.
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I'm not talking about losing [agricultural] diversity in the same way that you lose your car keys. I'm talking about losing it in the same way that we lost the dinosaurs: actually losing it, never to be seen again.
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When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
