Dave Grohl Quotes
Mick Fleetwood was one of my first interviews. And if you've ever talked to that dude, he's the sweetest guy in the world - he's just a trip.
Quotes to Explore
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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I love cooking and baking.
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Long Kiss Goodnight has a huge cult following. They could make another version of that movie right now and make a lot of money.
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I'm moved by people who see the world differently than others. People who see the world with a longing for its poetry often can be broken people.
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I live with myself. I wake up with myself, I eat, and I take a dump with myself. I don't see anything special there. I do all the same things other human beings and creatures do. I don't see any need to be telling the data of the day of this particular human being by posting it on online. It's not interesting to me.
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Earth's dispossessed are vulnerable targets for extremists: those who teach that global justice is meaningless; that satisfaction can come only in violence, division, and intellectual isolation.
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The intensity of being in front of all these incredible musicians and tremendous conductors in these elaborate halls can be overwhelming.
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Granted, I've changed internally as I've gotten older - I take it easy, I know when to stop and take care of myself, I laugh much more and with my belly and soul - but this comes from the confidence and acceptance that comes with maturity.
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What is supposed to be the very essence of Judaism - which is the notion that it is by study that you make yourself a holy people - is nowhere present in Hebrew tradition before the end of the first or the beginning of the second century of the Common Era.
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You got to be rigorous in your appraisal system. The biggest cowards are managers who don't let people know where they stand.
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I like chords that are very lush with all the lush parts taken out.
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Do I love the road? Honestly? No - but it's how I earn my living. I also don't have the blues, like it's some kind of fever. The blues is my job. It's what I do.
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I've had four children and I've done a good job and I'm happy in life.
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I feel like a lot of serious music lives in generalizations - 'Love is a flower,' 'The sky is so dark' - but comedy lives in specifics.
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When I began writing, I didn't read any other children's poets... I didn't want to be influenced until I'd found my own voice. Now I read them all.
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Clothes have memories, and sometimes you don't want to remember. People remember where they bought the clothes, who gave them, or where they stole them from.
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To the Parisians, and especially to the children, all Americans are now 'heros du cinema.' This is particularly disconcerting to sensitive war correspondents, if any, aware, as they are, that these innocent thanks belong to those American combat troops who won the beachhead and then made the breakthrough. There are few such men in Paris.
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As a producer, the most important call you can get is on Saturday morning, when the Friday-night grosses come in. As a director, you want your film to be successful. But your outlook is a bit different. You become very conscious of the reviews.
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Poetry is also the physical self of the poet, and it is impossible to separate the poet from his poetry.
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And I used to buy 'Fangoria,' the horror magazine, which made my mum wonder if I was going to be a serial killer.
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All I know is stars and hits, you know what I mean? I don't just sign a guy because he has a hot record. I sign a guy because he's a star. He's a pillar of the community.
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If I was a marginal guy or a practice squad player or a career-long special teamer, you take a hell of a lot less hits in those roles.
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'The Road' was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.
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Mick Fleetwood was one of my first interviews. And if you've ever talked to that dude, he's the sweetest guy in the world - he's just a trip.
