Billie Joe Armstrong Quotes
I've been playing rock and roll since I was 16 years old, and now I have a 16-year-old.
Quotes to Explore
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The virtues of the blockchain is that it would be that it's peer-to-peer settlement - no centralized settlement, no manipulation... And most importantly, there's nothing to capture. It's consensus based. It's stateless.
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I will not contest my parliamentary seat in a sad election that will not produce a Parliament capable of endorsing a realistic reform agenda for Greece.
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I think all chefs who pursue great flavor have good ethics.
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It doesn't sound too good to say I am the son of a landowner, so let us rather say I am the grandson of exploited Galician peasants.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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I would ask my mother to show me how to walk - and she did show me. That's why I think it's funny when people say, 'Did so-and-so teach you how to walk?' And I always say, 'You must be talking about my mother, because it was my mother who taught me how to walk.'
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Every time we moved on, I joined a different class in a different school with different girls until, aged 13, my father had taken the decision to pull me out of school altogether. Everything I needed, he reasoned, could be found within the rich language of Shakespeare's plays at which, by then, I was something of an old hand.
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I try and direct environmentally, so that people don't feel like everything is going to depend on what happens when someone says, 'action,' so that they can literally be swimming in the warm water, and at some point the race begins, and at some point the race ends, but it is about being free to swim.
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Curiosity begins as an act of tearing to pieces or analysis.
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The tale of 'Point Break' is about doing what you love and committing to what you love. It's relevant to me as a Venezuelan, to you as an American, to any Chinese person watching the film.
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I am so excited to extend myself behind the scenes as a designer and to - as my father puts it - finally have a real job.
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Our lives are in God's hands. We have no control. We can't control Him by using the Bible or cross as a good luck charm without a thorough reformation of heart and life.
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The Who on record were dynamic. Roger Daltrey's delivery allowed vulnerability without weakness; doubt and confusion, but no plea for sympathy.
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My father always told me, 'Before you become a queen, you have to learn how to take care of your own things.' So I knew how to do all of it, but I had never really done it on a daily basis. So I was cleaning houses, and I started working restaurants.
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I was trying to be Mary Tyler Moore. I loved her in 'The Dick Van Dyke Show.'
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I learnt circus skills in drama group, so I can juggle.
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I thought art was dead rabbits hanging by their feet on a wall. I went to Italy and saw all the religious paintings, and they didn't move me all that much. Then someone invited me to see this van Gogh exhibit at the Rosenberg Gallery in San Francisco.
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If you think about people's lives, you think about what's significant. And the things I find significant in my life are not the moments when people are yelling at each other. They're the moments when someone says something that is very poignant, but oftentimes not loud.
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If you don't have that vision for the end goal, you have no clue where you're going, and you're going to work very hard to go nowhere.
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I want you to know that you are not alone in your being alone.
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Display advertising and the movies, though they may dull the wits, certainly stimulate the eyes.
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Unfortunately or fortunately, in order to become acquainted with the idiom of country or rock music, it is necessary to occasionally play in a bar. Bars are a rehearsal place.
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My songwriting is so influenced by orchestrated music, dramatic, super glam rock-y stuff. Two of my biggest influences in songwriting were Elton John and Freddie Mercury.
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I've been playing rock and roll since I was 16 years old, and now I have a 16-year-old.
