Mahesh Babu Quotes
Quotes to Explore
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Military brats have this toughness: they're almost like orphans or foster children; they develop little mechanisms. It sets you up to look at things a little differently.
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I have always believed in dialogue and in nonviolence, and if you look at my background you will see that it has always been my policy to talk to everyone.
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One's past is what one is. It is the only way by which people should be judged.
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I had a lot of energy, and my mom decided to look for a place where I can spend the energy, because I was jumping on the couch and furniture, and I was jumping on the top of the things in the house.
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No one should be left to suffer alone.
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A man should be just cultured enough to be able to look with suspicion upon culture at first, not second hand.
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No presidential candidate should visit Las Vegas without condemning organized gambling.
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It's a question of not copying the masters, to look for something, good or bad, for oneself. To enter this liberated state of mind, one cannot copy the others.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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I don't feel like an idol to anybody. I don't feel anybody should look up to me.
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Some of football's gaudiest displays of manliness are purely aesthetic. It's not what players do, it's how they look doing it.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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Yes, I mean, I used to be into the big bulk thing, and that's why my legs look like those of a cyclist instead of a shooter's, but I think there is a point to where too much is not a good thing. I think I try to lower my center of gravity by doing a lot of legs.
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Most things I get hired on, I get hired because I improvise something funny, or they just think I look weird.
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Normally when I look at stuff, I try to look at the good things. When I watch video, I try to watch the good starts so I can see how my mechanics are in those.
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Epic were adamant that I should carry on being me. They liked the way I look, my clothes, hats... nothing's changed really.
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I don't like things like little sandals that look fragile. I like to look strong and commanding.
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I've learned to look like I'm listening to long confusing plots of cartoons and comic books when I'm actually sound asleep or making grocery shopping lists in my head.
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I'll tell you one thing, and this is banal to say because it just makes it sound like it's all planned, and nothing is planned at all. But one link is with The Deep End, and one link is that I'm making a film later on that revolves around the relationship between an innocent party and a dead body.
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The most important thing is to defend the euro.
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Nationalisation...does not in itself engender greater equality, more jobs in the regions, higher investment or industrial democracy. The public knows this perfectly well, and so do the workers who have suffered from pit closures, steel redundancies and the run-down of the railways. It is idiotic to try to bamboozle them.
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I thought 'Pineapple Express' was hilarious.
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I want to become less and less about the laptop. That's what's lovely about an orchestra - the physicality, the way every gesture relates to something you're hearing.
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I'm extremely particular how my look should be in a film.
