Mahesh Babu Quotes
Quotes to Explore
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Military brats have this toughness: they're almost like orphans or foster children; they develop little mechanisms. It sets you up to look at things a little differently.
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I have always believed in dialogue and in nonviolence, and if you look at my background you will see that it has always been my policy to talk to everyone.
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One's past is what one is. It is the only way by which people should be judged.
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I had a lot of energy, and my mom decided to look for a place where I can spend the energy, because I was jumping on the couch and furniture, and I was jumping on the top of the things in the house.
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No one should be left to suffer alone.
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A man should be just cultured enough to be able to look with suspicion upon culture at first, not second hand.
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No presidential candidate should visit Las Vegas without condemning organized gambling.
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It's a question of not copying the masters, to look for something, good or bad, for oneself. To enter this liberated state of mind, one cannot copy the others.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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I don't feel like an idol to anybody. I don't feel anybody should look up to me.
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Some of football's gaudiest displays of manliness are purely aesthetic. It's not what players do, it's how they look doing it.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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Yes, I mean, I used to be into the big bulk thing, and that's why my legs look like those of a cyclist instead of a shooter's, but I think there is a point to where too much is not a good thing. I think I try to lower my center of gravity by doing a lot of legs.
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Most things I get hired on, I get hired because I improvise something funny, or they just think I look weird.
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Normally when I look at stuff, I try to look at the good things. When I watch video, I try to watch the good starts so I can see how my mechanics are in those.
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Epic were adamant that I should carry on being me. They liked the way I look, my clothes, hats... nothing's changed really.
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I don't like things like little sandals that look fragile. I like to look strong and commanding.
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I've learned to look like I'm listening to long confusing plots of cartoons and comic books when I'm actually sound asleep or making grocery shopping lists in my head.
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It was closer to manual labor than shooting a film. I always think of something Michael Caton-Jones told me: 'Pain is temporary. Film is forever.'
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In reality, the most important things happen when you don't look for them.
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Any character that can't be kept straight, to me, isn't a character who should be in the book – you know, anyone not vivid enough to have a claim on my attention.
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The real danger to the world's resistance movements is the attempt to distort reality and to place the blame on the resistance groups' actions without allowing them to portray their perspective, thus ignoring the reality of the occupation and the siege, like the situation in occupied Palestine.
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I'm extremely particular how my look should be in a film.
