Diana Krall Quotes
So much of what we do as artists is a combination of personal experience and imagination, and how that all creeps into your work is not so linear.
Quotes to Explore
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At the beginning of all experimental work stands the choice of the appropriate technique of investigation.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I was just finishing up 'Spotlight' in Toronto - I finished it on a Tuesday and started 'True Detective' on a Friday. So I was missing rehearsals, unfortunately, which I hate and why I never like to work back-to-back.
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Cats are impossible to work with. They're just very difficult because you can't really train them. They're not really interested in whatever you want them to do. Dogs want to please you; cats only want to please themselves.
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Sofia Coppola is wonderful, and I'd love to work with her.
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I like to work all the time and really immerse myself in the project.
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I hate these platforms that are all over the place today; they are all about grabbing attention. They are suburban! I never do a platform. Well, I did, in the 1970s, but that was a bad experience.
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I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
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The only really conscious decision I made was to cast my net wide and if the work was good, to do it.
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Getting into the residential investment business entails lots of renovation work.
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You have to work with the auto industry, the oil companies, you have to work to develop renewable fuel, whether it's solar or different kinds of fuel or whatever.
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I am a member of the Kiowa Gourd Dance Society; I visit sacred places such as Devil's Tower and the Medicine Wheel. These places are important to me, because they've been made sacred by sacrifice, by the investment of blood and experience and story.
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I cannot imagine a more enjoyable place to work than in the Laboratory of Molecular Biology where I work.
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The reason why I'm a conservative is because conservative policies work and they improve opportunities. They are the avenue for climbing the economic dream.
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My mountaineering skills are not important to my best photographs, but they do add a component to my work that is definitely a bit different than that of most photographers.
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Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
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Right now I am trying to be in a place of calm, a place where I can chill out and then handle the chaos of life better. You don't just get it overnight; you have to work at it. It's a daily struggle.
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It's much easier to work with an unknown.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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I made a promise to myself when I graduated from law school that I would never do anything that I didn't enjoy doing, and almost every day of the year since that June of 1963, I have awakened glad that I was going to work, glad that I was going to court, glad that I was going to grapple with a problem.
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I wouldn't be where I am, if not for Jamaica. My formative years were here. I wouldn't have the confidence that I have if I wasn't born here, because growing up here I knew I could become anybody I wanted to become. There was no ceiling on top of me.
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I attended less than two years of Conservatory in Mexico City.
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I couldn't be where I am today if I had children. My focus would be on my children and home. And you can do it later in life.
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So much of what we do as artists is a combination of personal experience and imagination, and how that all creeps into your work is not so linear.
