Erykah Badu (Erica Abi Wrigh) Quotes
Because you're responsible for [children]. You are there to protect them, not possess them. I tell them, "Watch me and you might learn something."
Quotes to Explore
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As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother's house. All children, I suppose, come into the world like that, not knowing who they are.
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I was a regular hand when I was 7. I picked cotton. I drove tractors. Children grew up not thinking that this is what they must do. We thought this was the thing to do to help your family.
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Working moms commonly testify that they feel guilty when they are away from their children and guilty when they are not at their jobs. Devoted fathers certainly miss their children deeply, but it does not seem to be with the same gnawing, primal anxiety that often afflicts women.
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We need more children raised in the optimum situation, which is between a mom and a dad bonded together for life.
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Let us sacrifice our today so that our children can have a better tomorrow.
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After I won the Newbery Medal for 'From the Mixed-up Files of Mrs. Basil E. Frankweiler,' children all over the world let me know that they liked books that take them to unusual places where they meet unusual people.
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I have been in private law practice in New York City, where my husband and I are raising our children.
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I didn't have children, but I never wanted children.
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Sex and death, the magnetic poles of fiction, attract us children's writers no less than adult authors, but we have to be more leery of their pull.
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We are all Adam's children - it's just the skin that makes all the difference.
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It is so important that you don't stay with someone just for the children and for the wrong reasons.
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Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood till this series happened.
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In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
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Having my animals or my children with me exorcises that feeling of not being wanted.
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When you write for children and young adults, you have much more affect and influence on them than when you write for adults. The books that get us through our childhood stay with us for life.
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My father was a writer; I've known a lot of children of writers - daughters and sons of writers, and it can be a hard way to grow up.
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Guided by nothing but pop culture values, many children no longer learn how to think about morality and virtue, or to think of them at all. They grow up with no shared moral framework, believing that the highest values are diversity, tolerance and non-judgmentalism.
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Children are all foreigners.
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Not much about California, on its own preferred terms, has encouraged its children to see themselves as connected to one another.
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The idea is that Jodie Foster is with her child and she's going back to New York from Germany with her husband's body. She loses her child on a plane, and you think, 'How can that happen?' There's no record of her having brought a child onto the plane, and the captain is left wondering about whether she's telling the truth. You never really know if she's telling the truth or not.
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Shock can kill you. Shock is terrible. But what you've got to do is live in the present, which is what I have always done.
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Most of us pass our lives never once laying eyes on our own organs, the most precious and amazing things we own. Until something goes wrong, we barely give them thought. This seems strange to me. How is it that we find Christina Aguilera more interesting than the inside of our own bodies?
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Because you're responsible for [children]. You are there to protect them, not possess them. I tell them, "Watch me and you might learn something."
