Martha Reeves Quotes
Quotes to Explore
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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Humanity will live as long as there are humans.
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I close my eyes when I sing so I can feel the song better.
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There is a one-in-300 chance that Earth will be struck on March 16, 2880, by an asteroid large enough to destroy civilization and possibly cause the extinction of the human race. But, on the bright side, Prince could re-release his hit song with the new refrain 'We're gonna party like its twenty-eight seventy-nine.'
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.
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It took a long while for me to even put out a record because there were so many options of how to do a song, and in some respects, I'm never totally happy with the outcome.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
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A lot of my friends send me Snapchats of when they're in the club, and they're like, 'It's your song!'
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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Wayne and Drake, it takes them so long to do a song. I understand why, because they want it to be perfect. But I think I can do a perfect song in 10 minutes.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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I don't wear a bikini on the beach. I walk around my house in pyjamas. I haven't seen myself naked in the mirror for probably a decade. I'm very prudish.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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For somebody who is a journalist, I can be awfully unobservant sometimes.
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We have to make a bridge of confidence based on natural and elementary morality which corresponds to the natures of man and which would be respected by all men. I may be naive in this, but I think it is better to be naive than skeptical.
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In almost every task involving form, there are dozens, often hundreds of contradictory elements, which need to be forced to work in harmony by man's will. This harmony can be acheived only through art.
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I don't cuss in songs. It's too easy.
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I've learnt some important lessons: I never rely on the opinion of one doctor alone. I do my own research; I read up and am ready with questions I need answered.
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A song has to become as much a part of you as a tailored suit.