Rickie Lee Skaggs (Ricky Skaggs) Quotes
I try to keep my heart and myself available for those little, 'God moments,' are what I call them, where someone calls the office and says, 'Would Ricky be interested in doing this?'
Quotes to Explore
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Sea Change was so specific. From the beginning it was set what it was going to be. All the other ideas that I had at the time I had to put to the side.
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I think mobility is very important, not only to discover opportunities elsewhere but at times, also to appreciate better what your home town has. Allahabad, for instance, has the feel of a small, tightly-knit community where everyone participates.
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That is the definition of faith - acceptance of that which we imagine to be true, that which we cannot prove.
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I just want to be myself and be real and be funny.
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I think the impulse took shape in early childhood when I was very ill with lymphoma for a number of years. I spent a lot of time in hospitals and sick-rooms, being read to by various relatives, and I learned to associate books with love and attention.
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When the audience enjoys your performance, you feel like a magician who is doing magic. It's a great feeling!
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'Wicked' gave us a story that 'The Wizard of Oz' did not. Two sides to every story.
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You've got to eat while you dream. You've got to deliver on short-range commitments, while you develop a long-range strategy and vision and implement it. The success of doing both. Walking and chewing gum if you will. Getting it done in the short-range, and delivering a long-range plan, and executing on that.
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I stayed in the ghetto. Then I stayed in condos, then I stayed in penthouses, and then I stayed in mansions.
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I didn't know that I could do a talk show. I didn't know that we could bring variety to daytime. I didn't know that people wanted to see singing, and dancing and comedy in the morning.
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'Vogue' is a very specific world. You are 'Vogue,' or not 'Vogue.'
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Always prefer the plain direct word to the long, vague one. Don't implement promises, but keep them.
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When you're learning, especially to write, unless you're some incredibly gifted writer, a young Malcom Gladwell, say, you need to be imitating people. You need to be imitating how they make their work, how they structure it, how they design the pieces. It gives you chops; it gives you moves.
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I have been portrayed by actors in three television documentaries, two plays, one musical and a film. It's no fun watching yourself being traduced and imitated by an actor.
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Everything I did in my life that was worthwhile, I caught hell for.
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A writer is someone who can make a riddle out of an answer.
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I would break a lot of cymbals. You whack the cymbals hard enough, and they will crack in half. Drums are not actually as sturdy as they look. They're actually somewhat fragile instruments.
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If a director brings a guy to their movie who does improv, they've got to let him do what he does - otherwise it's like bringing Michael Jordan to your basketball team and telling him to just pass the ball and don't shoot.
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'Floating Worlds,' published in 1975 and the lone science fiction novel by acclaimed historical novelist Cecelia Holland, was unique in being completely devoid of the usual pulp influences present in much space opera up to that time.
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I'm just a working actor.
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So we can only know God well by knowing our iniquities. Therefore those who have known God, without knowing their wretchedness, have not glorified Him, but have glorified themselves.
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I always had this romantic notion of living in New York. I just felt like, everyone could be different and weird and whatever they are in New York.
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I try to keep my heart and myself available for those little, 'God moments,' are what I call them, where someone calls the office and says, 'Would Ricky be interested in doing this?'
