Paul Rodgers Quotes
I look at John Lee Hooker and Muddy Waters, guys who had a fantastic longevity, and I learned something from them. They didn't try to sell records. They weren't saying, 'Ok, what can I write, what can I do in the studio that will sell?' They were just doing their thing, and people picked up on it. I like the idea of that.
Quotes to Explore
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I've never been one to run from a challenge.
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The Bible may be the truth, but it is not the whole truth and nothing but the truth.
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In thinking about it, the villains often have a little bit more range because their morality is different. You can have just a really good time as an actor, and there is just more there that you can explore on that side of the story.
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When people arrive at El Bulli, everybody goes through the kitchen. It's a way of making them feel at home. When they leave, the only thing I ask is whether they've been happy. Everything in between, I don't particularly care.
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I love Nelly. He's such a great performer. He's so hyper and so am I.
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I'm a chubby middle-aged white guy with short hair. I think that's it, really. I kind of have a look. Right now, I'm not fat enough to be the fat friend, but I'm not thin enough to be the leading man, so I look like a cop.
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In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.
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I don't know whether the universe contains any evidence of intelligent design, but I can assure you that thousands of everyday products do not.
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I have a problem with cleaning. It's my release. I get up at 6 A.M. and clean and hoover and mop everything. Then I feel better.
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I always need a couple of highlights to really spark the passion for a project.
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The best time to release a film is on a festive date like Divali or Eid, or at a time when there are no big films three to four weeks before or after.
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I don't have a great instrument. I don't have the kind of ungodly control over my voice and body that great actors have. And I've worked with enough great actors to know that I'm not one.
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After the revolution, it might very well remain necessary to place people where they could not do harm to others. But the one under restraint should be cut off from the rest of society as little as possible.
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I think going from doing TV and straight plays to Shakespeare is weird enough because you have this heightened language, and you are telling a story through metric poetry. But I think music is that place beyond poetry.
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I tend to make low-budget movies but, yeah, I make more money than I ever thought I would make.
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As awful as crime can be, it's what happens afterward - the struggling to get out of bed, to put one foot in front of the other - that alters people.
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For me, visuals are as important as the music. I just love escapism and giving people something to escape to. To me, that's what art is.
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I believe there is little to gain by exchanging opinions with other artists concerning either the ideology of art or technical methods.
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The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
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You have to ask a lot of questions and listen to people, but eventually, you have to go by your own instincts.
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I'm excited to see how current and future technologies revolutionize the way we learn.
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My parents loved music, and my father would come home with cassette tapes of Chic and the Village People and Barbra Streisand. We had all these sounds always going. We never had somber music - always upbeat.
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I needed my mistakes in their order to get me here.
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I look at John Lee Hooker and Muddy Waters, guys who had a fantastic longevity, and I learned something from them. They didn't try to sell records. They weren't saying, 'Ok, what can I write, what can I do in the studio that will sell?' They were just doing their thing, and people picked up on it. I like the idea of that.
