Michael Stipe Quotes
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On planes I always cry. Something about altitude, the lack of oxygen and the bad movies. I cried over a St. Bernard movie once on a plane. That was really embarrassing.
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I was vegetarian, trying to eat from fast-food restaurants without meat. I didn't know how to eat properly and I was starving. I was adrenalized to the eyeballs from performing. I was afraid that I was sick with AIDS. We were playing five shows a week. I even went through a period of abstinence where I didn't drink and stopped having sex. Which is crazy. Maybe I'm answering too many questions at once here, but this is where my mind was at the age of 25.
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There are people that very strongly identify themselves as gay and then lesbian, and then I think there are a lot of people who are kind of some percentage or some version of that.
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There tend to be two different drives that lead young people toward music. One is that music provides an escape; it takes you away from the unhappiness or torture of where you are and makes you feel less alienated-you believe there is a place you fit in somewhere else. The other is a sort of transcendent, spiritual feeling in the purity of music.
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We're absolutely American and distinctly so, I think. That's part of what people respond to outside of this country, part of the reason that we're such a huge band outside of the U.S., where we're not so popular now as we were 10 or 12 years ago.
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The punk-rock ethos was "Do it yourself. Anyone can do this. We're not sent from the heavens."
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When we signed with Warner Bros., they knew what they were getting. They knew they weren't going to get some easily manipulated prepackaged pop group. That was not going to happen. What they wanted, I think, was the integrity that we had to offer. What they wanted was the kind of street cred or cache that R.E.M. could bring to them and the chance that we would give them a hit or two. What happened was we gave them a bunch of hits. And we became huge.
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You don't need to be talented. You don't even have to play the guitar to be a guitar player in a punk-rock band. So I, in a very naive and teenage way, said, "That's it. I'm going to be in a band."
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I was born in Georgia. That's where my grandparents-and all my people-are from. But my family traveled a great deal because my dad was in the army as a helicopter pilot.
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When you meet a stranger, look at his shoes. Keep your money in your shoes.
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We toured that record for a year, which turned out to be the culmination of ten years of being constantly on the road. We were sick to death of touring.
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When I hear music as a fan, I see fields. I see landscapes. I close my eyes and see an entire universe that that music and the voice, or the narrative, create. A music video-and any other kind of visual reference-is created by someone else.
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I'm tired of being this solemn poet of the masses, the enigma shrouded in a mystery.
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I went through this difficult time [in the 1984] when we were making our third record where I kind of lost my mind. That's when the bulimia kicked in. And that's when I got really freaky.
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So, when you divide the world into music lovers, music fans and then those people who are just very casual about their music, it's wallpaper to them, it's elevator music, it's just the thing that's playing in the background that helps them through their day.
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Punk-rock records came out and you bought whatever you could find. But Devo didn't happen for another three years. Sex Pistols didn't tour the States until '78. At that time, for me, it was really about CBGB, Patti Smith, Talking Heads, the Ramones, and Television.
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They always want me to play myself and that's a big snooze.
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Super casual music listeners. That's most of the people in the world. And you have to understand, that's why Top 40 radio exists. It's not there for people who seek out music and who love music.
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When we first started, we were a band from Athens and that was so off the map.
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I was vulnerable every day. Every night that I stepped on stage I was laying myself open.
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But I think the one thing that I can say about us is that we're very consistent about certain things and part of that is our desire to do the very best work that we can and not rest on our laurels, or not allow formula to come into what we do.
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I was doing that [a collaboration with Kurt Cobain] to try to save his life. The collaboration was me calling up as an excuse to reach out to this guy. He was in a really bad place.
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Everybody hurts sometimes Everybody cries.
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They spoke truth and a lot of people listened.... that voice, Kurt we miss you.