Ben Wheatley Quotes
I tend to shoot really quick so you don't get the problems you might get on a traditional film where you shoot one way, then another, and it's pissing down with rain and they won't cut together. We shoot so fast we can incorporate the weather into it. The worst weather we had was when they were in the caravan up the mountain and there was no cover. One man's weather is another man's production value. To create the sleet would cost a fortune but we got it for free so we'll just have to go with it.

Quotes to Explore
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I'm afraid one thing - I don't like heights. Heights bug me out. I'm not cool with heights. I refuse to do a comedy show 12 stories up. I'm fearless about everything else.
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God gets you to the plate, but once your there your on your own.
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I was there when the quote-unquote golden age of musical theater was flourishing. I met everybody who worked in theater or was famous in theater from the '40s on.
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It was very difficult when I was trying to figure out how to have a marriage and babies and do this at the same time. There was no handbook. You were making it up as you went along.
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Brands mature over time, like a marriage. The bond you feel with your spouse is different than when you first met each other. Excitement and discovery are replaced by comfort and depth.
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I don't think many people will re-read 'The Da Vinci Code.'
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Wong Kar-wai and Ang Lee are two Asian directors I'm really fond of.
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Now, everybody knows my music. So that's really cool. A lot of kids know it. Now, when I go to a sports game, everybody knows my name.
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I think I need security.
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Greetings and death to our enemies.
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Family entertainment is really very necessary in our culture. Look how profitable they are. It's almost not discretionary. You need to take your family to the movies.
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We want a marriage with our customers, not a relationship.
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I don't run after successful directors. I give importance to the content of the film.
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I have confidence in mining. I see exciting opportunities in it.
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You know, I had the music baskets and the writing basket. And I had the acting. And those eggs just hatched first, and the others were slow to incubate.
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It's totally viable to envisage a million Jews living in Judea and Samaria.
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I don't ever want to be a person that I'm not. A lot of girls fall into the trap where they are trying to impress other people, and that's the time when they lose themselves.
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Stasis is something that has marked my life since I was a boy growing up in Pittsburgh with my mother. It was the natural state that we existed in. For one thing, she suffered from a debilitating depression throughout my childhood, and depression is nothing if not static.
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Which, of course, isn't the point of writing - but it would be nice if, along with the creative satisfaction of writing and seeing my work in print, I could do more than merely scrape a living. Okay, moaning over.
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But through experience I learned to control my body and locate the ball.
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I try to think of the social function of fiction as drawing the individual toward larger social and political questions. But I'm also very comfortable in saying that my novel - any novel - doesn't matter as much as larger questions of how we can see justice done.
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I will definitely hook up my daughter if she decides to be a model.
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But when I came, alas, to wive, With hey, ho, the wind and the rain, By swaggering could I never thrive, For the rain it raineth every day.
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I tend to shoot really quick so you don't get the problems you might get on a traditional film where you shoot one way, then another, and it's pissing down with rain and they won't cut together. We shoot so fast we can incorporate the weather into it. The worst weather we had was when they were in the caravan up the mountain and there was no cover. One man's weather is another man's production value. To create the sleet would cost a fortune but we got it for free so we'll just have to go with it.