Agnetha Fältskog Quotes
I have been described as a very mysterious human being and that hurts a little bit, because it's not like that at all.
Quotes to Explore
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Cinema affects everything, from the way I get dressed to how I build my stages.
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Take good care of our fragile planet.
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My career is playing the guys who go, 'Boo.' That's what I do.
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I came into the rap game in 1992; my life was changing, but my group wasn't successful; I also saw the biggest rappers in the world die all of a sudden in the ensuing years, so it was a matter of conquering yourself before you can conquer the world.
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Secrecy is one of the shadier sides of private and public life.
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I wish I could play the World Cup; that's one of my dreams.
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I love when I'm writing and I'm cringing because I know I'm doing something right.
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I can take any truth; just don't lie to me.
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I can't help but have my sights set on Scorsese, Cohen Brothers and Spike Jones.
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In theory, I work an eight-hour day and a five-day week which means I can socialise with my pals who mostly have normal jobs like teaching and computer programming.
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I've always looked old for my age.
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Life is suffering. Life is not resistance to suffering. The point of life is to suffer. This is why we're here: We're here to suffer. I believe in a higher power that compassionately allows suffering for us as a race, to grow and mature.
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I grew up in a farm town in Indiana. In the early years I played by myself, because there were no other musicians around.
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Where the bricks are fallen We will build with new stone Where the beams are rotten We will build with new timbers Where the word is unspoken We will build with new speech There is work together A Church for all And a job for each Every man to his work.
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I would say here something that was heard from an ecclesiastic of the most eminent degree probably Caesar Baronius: 'The intention of the Holy Ghost is to teach us how one goes to heaven, not how heaven goes.'
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'I did not ask for objections, but for comments, or helpful suggestions. I looked for more loyalty from you, Captain Hornblower.' That made the whole argument pointless. If Leighton only wanted servile agreement there was no sense in continuing.
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But people like to say, Oh, it's in the blood. But art comes from nowhere. It comes from a vague, scary place. It's scary because you don't know when it's coming or if it will ever come again. It's this Other.
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The Chinese government only superficially speaks the language of the international community.
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The sand swallows burst out of their scupper holes in the bluffs and out over the transparent drown of the water, back again to the white, to the brown, to the black, from moving to stock-still sand waves and water-worked woods and roots that hugged and twisted in the sun.
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Technology is supposed to make our lives easier, allowing us to do things more quickly and efficiently. But too often it seems to make things harder, leaving us with fifty-button remote controls, digital cameras with hundreds of mysterious features and book-length manuals, and cars with dashboard systems worthy of the space shuttle.
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From a young age I was obsessed with the mysterious, the esoteric, the paranormal.
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Actually, it was in Paris in 1914 that I did my first collages, for an occultist friend. They were mysterious portico's which were supposed to replace mural paintings and which evoked the structure of palm branches or fish-bones. remark on the first collages Arp made, in different materials
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I have been described as a very mysterious human being and that hurts a little bit, because it's not like that at all.
