Benjamin Cardozo Quotes
Quotes to Explore
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Getting direct consumer revenue through movies or games or other culture products is something that we are very suitable for.
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Throughout history, self-styled arbiters have taken it upon themselves to decide the question of what can or cannot be the legitimate purview of art.
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Some people ask me, Do they put aging makeup on you? It's just this very nice street makeup.
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I've always been interested in family secrets and what happens behind closed doors. I find that fascinating and creepy - that's why I read: because I want to know other people's secrets.
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From when I was 7 until I was 22, I played football. That was always my struggle as a kid. I always wanted to be an artist, but my parents were divorced, and my dad really wanted me to play sports, and that's how I got to see him. He would come pick me up or take me to practice, and he was always at my games.
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I think tattoos are horrible. It's like living in a Pucci dress full-time.
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Having stretched the boundaries some, I'm perfectly content now to work within them. 'Doonesbury' doesn't need to become 'South Park.' You won't ever see any singing turds.
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Often times, we think of girls as soft and vulnerable. And we don't really think of them as possibly being the solutions to some of the world's toughest problems, but they really are.
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When I was elected, I was the youngest member of the Tennessee congressional delegation; now, I'm one of the oldest. In fact, I have members of my staff who weren't even born when I took office. That tells me it's time for a new chapter.
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I need something to do when I'm not working, or I crawl up the walls. So I've just taken up kung fu. I was looking for some kind of calming, relaxing activity. I tried yoga, but it wasn't really me.
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You have to be a crazy guy and a little eccentric to be very successful.
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The tax incentives in place for 'House of Cards' in Maryland have resulted in hundreds and hundreds of jobs and not just for actors, but for carpenters and waitresses and hotel workers. The amount of hotel nights and meals that the production of a television series brings to a state is staggering.
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He who wishes to paint Christ's story must live with Christ.
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I'm obsessed with 'Homeland.' It's not even okay.
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As an artist, all I want is to be a part of good films.
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I sometimes feel nervous because I give stupid answers to certain pointless questions. It happens in Turkish as much as in English. I speak bad Turkish and utter stupid sentences.
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'Nutty Professor' was me going, 'Say what you want to say, but I can do this, and you can't, and nobody else in the town can do this.'
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I get all dressed up with that Marianne Faithfull face, and the next thing I know, I'm blurting out things that I shouldn't, trying to get attention when, really, I've got everybody's attention already.
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'What It Is' was based on this class I've been teaching for 10 years - I wanted to write a book about writing that didn't mention stuff like story structure, protagonists, and all those things that we know about only because they already exist in stories.
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What appealed to me was that the focus of 'North Atlantic' was more about performance rather than emoting, because I was at a point in life where it was nice not to have to emote all over the place.
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There is nothing in the whole world so unbecoming to a woman as a Nonconformist conscience.
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You can’t look too far ahead. Do that and you’ll lose sight of what you’re doing and stumble. I’m not saying you should focus solely on the details right in front of you, mind you. You’ve got to look ahead a bit or else you’ll bump into something. You’ve got to conform to the proper order and at the same time keep an eye out for what’s ahead. That’s critical, no matter what you’re doing.
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Inaction without more is not tantamount to choice.
