Benjamin Clementine Quotes
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The greatest in heroes in life are the anonymous. That's what I believe. Your neighbours are heroes. People who, when you walk down the street, you see them feeding their little baby - these people are heroes because they are living under difficult situations, but they're still trying to save a life.
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Music is the reason I started talking to people. When I started singing in bars and trains, I began to learn the behaviour of people. Music was the bait that helped me get something from them and give myself to them.
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I've learned in the little bit of my life so far that you can't fool people. And so I only tell people what I think about: my ambitions, my dreams, what inspires me.
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There are things that need to be said... and I think it's my obligation to say them.
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Because I didn't think anyone would actually listen to my music, I thought I could say whatever I wanted.
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Where you're from shapes you, but you can actually do whatever you want.
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If you have parents who can't show you love, a kid can grow up to look arrogant. Because they need to create a fake self. Or they think they're more powerful than they really are.
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I believe when the music is being sung or being played, at the end of it, there's some sort of grace and understanding. And that's all I want for humanity. I just want us to understand each other. That's the point of my music.
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I just wanted to eat, to survive. I started singing a cappella in bars. I saved up money to get my first guitar and started writing songs.
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With this sort of career, you need determination. You've got to sacrifice a lot of things: family, friends - not that I had any - but you sacrifice everything.
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Music isn't a competition.
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Studying music involves a lot of mathematics and a lot of exercises of memory. Or you've got to be able to be like somebody, to play like somebody, to play Mozart's music the way he played it and how he intended it. You've got to make it perfect, and that's not what I want to do. Although it is beautiful.
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I personally wouldn't want my second album to sound like my first; it might sound very rocky or hard rock - and that wouldn't be melancholy. So if people think my music is melancholic, then so be it. It's meant to be uplifting, and I'm just basically saying what needs to be said.
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I know, deep down, that what makes my music what it is are my words. It always starts from me wanting to say something. Once I've run out of things to say, I'll be done.
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If you live in central London, that's probably fine for you, but in places like Edmonton, where you're almost out of sight of London, you've got to pay more and more to get into central London. How does that work?
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It's amazing how people believe you if you use long words.
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Poetry itself is music. I'm just lucky that I can convert it into music. William Blake is my favorite poet of all time, and he said that he wasn't quite familiar with the sounds of music. If so, he would have been a musician. All of his poems are all like songs, and that's how I always try to start my thoughts.
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The day has the color and the sound of winter. Thoughts turn to chowder...chowder breathes reassurance. It steams consolation.
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I adopted this feeling that the stage is my home, so just keep my coat on and not wear anything else.
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In Paris, I was really singing for the sake of living. But eventually people said, 'Keep going; you've got a great voice,' and I started having confidence in my voice all of a sudden. That's when I started creating my own music.
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I grew up as a man because I was by myself.
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When I first started singing in Paris, I sounded horrible: I was just singing to get some money to eat. And I wasn't singing my own songs: it was Bob Dylan, Bob Marley, Jimi Hendrix. Eventually, when I wrote my own music, my style just came out of my own place.
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The minute I stop singing, I'm back to being shy. I'm soft-spoken because I never really talked to people. I didn't learn to do it.
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I found it quite pleasing to be alone from a very young age. The piano became my source of release.