Kelsea Ballerini Quotes
I write everything. It's my favorite part of what I do. And lyrics are my favorite thing.
Quotes to Explore
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I am a big Pink Floyd fan. That is where a lot of the concept lyrics come from.
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For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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Lyrics can't do what they do - or should do - when you're creating a musical with rock lyrics. There's plenty of room for rock musicals, just not all rock musicals.
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I want to bring that old soul back, the meaningful lyrics and all of that. And I can't think of a better way to do that than through Motown.
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I chase after inspiring stories.
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I thinks it really interesting how they throw the world music samples in there. I often wonder what it would be like to do something like that, but use my lyrics and my kind of style.
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My parents have always had a great sense of humor. And I really appreciate good humor in songs, witty lyrics that sneak up on you and then you listen again, and say: 'That's so funny.' John Prine's songs have always had this really witty tone.
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I'm without a doubt a producer first. The lyrics happen towards the tail-end of the process, mainly because they're more stream-of-consciousness. It's very rare that I'm going to tell a really concrete story.
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I do pinch myself, like when shows in non-English speaking countries are sold out, and people are singing my lyrics. I don't think I'll ever lose that; I'm always appreciative every day of the support I have as an artist, because I'm not a commercial artist.
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As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
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The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
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I stand behind all the lyrics I've ever written; I don't have a problem with that.
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My music and lyrics became an extension of this Indian philosophy.
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For me, I believe George Foreman was a bad example because when he became world heavyweight champion again at 42, that made a lot of fighters think they could also carry on.
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I don't really write plots. I use history as the engine that drives everything.
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When I leave a recording session, there is usually a lot of paranoia or superstition on my part, like I'm afraid to hear what we've done.
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There just isn't only one love story in our lives.
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I write everything. It's my favorite part of what I do. And lyrics are my favorite thing.
