Cyndi Lauper Quotes
Quotes to Explore
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In this business, you get an opportunity, and you pounce on it.
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I can create institutions, but I can't rewrite the chips in people's heads.
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Ice shelves in general have episodic carvings and there can be large icebergs breaking off - I'm talking 100km or 200km long - every 10 or 20 or 50 years.
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Falling in love is the best way to kill your heart because then it's not yours anymore. It's laid in a coffin, waiting to be cremated.
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Hair is also a problem. I remember once, when I was reporting from Beirut at the height of the civil war, someone wrote in to the BBC complaining about my appearance.
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I'm tired of fighting. I've always known that I can't be an action star all my life.
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I am always the 'good guy', and I take on the idiotic jerks of the nation.
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People are so complex and multidimensional that raising someone to 'hero' status is too great a simplification.
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I was always singing as a kid. That's honestly all I've ever wanted to do.
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I had spent five years not earning a penny, getting rejected. Thank God I had a husband who was supportive and encouraging. But I still said to myself, 'If the Everleighs doesn't sell, I'm finished with writing forever.' I was going to get an office job.
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Most of the memorable events I have myself been exercised in; and, for the satisfaction of the public, will briefly relate the circumstances of my adventures, and scenes of life, from my first movement to this country until this day.
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If I have a problem, stuff's going through my head, I feel like using, I usually go and talk to my dad... I decided to get sober a lot younger than he did. He first tried to get sober when he was like 32, I believe.
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I think the idea of 'Mary Poppins' has been blowing in and out of me, like a curtain at a window, all my life.
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I'm fascinated by the period that goes from the Industrial Revolution to right after World War II. There's something about that period that's epic and tragic.
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The whole idea of 'Death Line' was to kind of highlight class distinctions in England more than to make a scary movie, and I just kind of wrapped my political treatise of the class distinctions in England in this movie.
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We're stuck in the concrete age. Concrete has really become this ever-present material that's almost impossible to get away from. It's cheap, abundant, and easy to work with, and to an extent, that's good.
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It's a new world, Arcane...It's full of shopping malls...and striplights and software. The dark corners are being pushed back...a little more every day.We're things of the shadow, you and I...And there isn't as much shadow...as there used to be..
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A dark and terrible side of this sense of community of interests is the fear of a horrible common destiny which in these days of atomic weapons darkens men's minds all around the globe.
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It is hardly surprising that women concentrate on the way they look instead of what is in their minds since not much has been put in their minds to begin with.
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A whole army, though they can neither write nor read, are not afraid of a platform, which they know is but earth or stone; nor of a cannon, which, without a hand to give fire to it, is but cold iron; therefore a whole army is afraid of one man.
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I don't know about happy endings, because I don't think, eventually, anything is happy. You feel a bout of happiness with good news. Five minutes later, there could be a traffic jam or a phone call from an irritating relative or a weird thought, or it could be a tweet that annoys you, and your emotion will flip immediately.
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What I've realized is that we're our own harshest critics. We give ourselves limitations. But I want to push through that wall, on a creative and personal level.
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I don't have to wear any other makeup as long as I have blush.
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If you saw me without makeup, you wouldn't recognize me.
