Ellie Goulding Quotes
I believe in the moment of things and fate and things happening for a reason, so I write things down and I trust it.
Quotes to Explore
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Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
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I was initially a leading man, but only on television.
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I use honey to condition my hair and eggs for protein. Also, mayonnaise and olive oil are great options for keeping it moisturized.
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Nearly every president in the past 100 years has declared national monuments, from Teddy Roosevelt creating the Grand Canyon National Monument to George W. Bush preserving 10 islands and 140,000 square miles of ocean waters in the Northwestern Hawaiian Islands.
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I was always interested in the kind of history they didn't teach you in school.
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You gotta ask 'why' questions. 'Why did you do this?' A 'why' question you can't answer with one word.
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I just have to go out and fight my fight and fight to win.
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Waste Management was based in Chicago, but I lived in Ft. Lauderdale and for 10 years had to commute to work - catch the 5 P.M. Sunday flight to Chicago and the midnight return flight on Friday.
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I have often said one of the reasons more blacks don't support Republicans is because they don't trust the GOP establishment.
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It is better that some should be unhappy rather than that none should be happy, which would be the case in a general state of equality.
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Talking to other people who make low-budget movies, everyone kind of has the same struggle.
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I think all of us are thankful every day we get to put this uniform on, and we play this game. So try not to take any days for granted. Every time you take the field, give a hundred percent and leave it all out there.
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I'm blonde and tanned and normal-sized! I'm sweet, shy, funny, have a big heart and I'm nice - and I like to eat.
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Those boos really motivate me to make something happen.
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In my early 20s I was so miserable doing construction, I wanted something that paid money. I liked nice stuff. I liked cars and architecture, and things that cost money. I wanted to not swing a hammer, and make money... and not do stuff that was dirty. I attempted to get into comedy. I started to do stand-up, but I wasn't very good at it.
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I think who you are in school really sticks with you.
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I came to the industry with wide eyes and an open heart thinking I was going to make a few films that really meant something that I could pour myself into.
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I just think that if one is going to preach nonviolence and one is going to advocate for nonviolence, one's standard should be consistent.
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It would be troubling if everything is determined by whether profits will be made within five to six years.
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In theatre, there's the director, the writer, and below them the actor. In film, it's the actors who are most important. That goes against the grain for me.
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You're reluctant to give too much away when you're going to put it out there for other people. It's harder writing your truest fears and loves and guilts, because you're not sure when you're writing the right story.
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I spent 15 minutes writing Stand By Your Man, and a lifetime defending it.
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Working improvisationally in my studio with dancers, it's completely different. We don't have any starting point; we don't have an end point. We don't have anything we are trying to show or do. The picture evolves from nowhere.
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I believe in the moment of things and fate and things happening for a reason, so I write things down and I trust it.
