Faye Wattleton Quotes
In 1985, I saw a tape of myself where my eyes were puffy. I looked very tired and bedraggled and not as youthful as I would like to have been.
Quotes to Explore
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Nothing improves your confidence and brings a team together more than winning a cup.
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When I was on 'Trauma,' the first order was six, which turned to 12, and then there were rumors of getting cancelled. I'm used to that.
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The art of life is to show your hand.
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All of my friends, I consider childhood friends because we met when I was probably 13, and I'm still friends with them today. It's really nice that I have that core group.
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The correct didactic analysis is one that does not in the least differ from the curative treatment. How, indeed, shall the future analyst learn the technique if he does not experience it just exactly as he is to apply it later?
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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I grew up in Germany for a little while, and all my German friends said that Seattle, weather and energy-wise, is a lot like West Germany. It's true.
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We're living at a time where if you do a Google search for a 'show, review and network,' you'll get 'The New York Times' and Pete Billingsley from a town you've never heard of on the same results page. It's kind of democratizing the process so that everyone has access to a distribution system to express themselves.
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We take people to the threshold of religion. Our aim is to induce immediate experience that is beyond the odd, beyond the strange, and beyond the weird. It verges on the wholly other.
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I hope that people look at my whole career and appreciate that I've given everything that I've got.
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I really connect to strong feminist writers that make their ideas accessible for the rest of the world.
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I'm not a collector. I toss things out all the time.
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I am a hopeless romantic who falls in lust and gets in trouble. I love my work and am very productive, yet I always find time to play.
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The crisis of black politics can only be resolved through the development of multiclass, multiracial, progressive political structures.
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Everything that has a beginning comes to an end.
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A novel is a great act of passion and intellect, carpentry and largess. From the very beginning, I wrote to explain my own life to myself, and I invited readers who chose to make the journey with me to join me on the high wire.
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I don't think that my work is very moralistic - at least, I try to avoid that. I grew up with that sermonising tendency, and I don't think visual work operates like that.
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I remember when TiVO first came out I was all about TiVo. I came home and that thing was frozen, and I thought 'This is awful. This is the end of the world'. Then I unplugged it, and I plugged it back in, and still frozen. It was paralyzing. I called them. They said, 'Just unplug it longer.' Fixed. But it also taught me I'm an addict.
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I know what it's like to have an inflated libido.
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Usually, if I'm yelling at the TV, I'm in a bar. If I'm by myself, and it's not a game, I often find myself scolding reality stars that can't hear me through the television set.
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People's ability to forget what they do not want to know, to overlook what is before their eyes, was seldom put to the test better than in Germany at that time.
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'The Thing from Another World' was the first movie that really scared me. But the one that made me want to make movies was 'The Tales of Hoffman.' That's my favorite film of all time. It's a fantasy film. It's an opera. I never get tired of it.
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I struggled for many, many years following 'Music and Lyrics' - I mean really struggled.
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In 1985, I saw a tape of myself where my eyes were puffy. I looked very tired and bedraggled and not as youthful as I would like to have been.
