Washed Out Quotes
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The one sound I think of when I think about dreaming is the harp glissando, which is this really atmospheric run up and down the scale that's really dreamy.
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I never want to make a complete, 180 reactional record. I wanted a connection to what I've done in the past but still move forward and evolve.
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I'm not the most technical producer, so the weird mixes and blown-out sound happen naturally.
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When I think about making 'Within,' it was not a very fun experience at all.
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The Washed Out thing happened really quickly, and I wasn't really actively promoting the songs. I didn't think of them as any more than demos, really, and it sort of became a thing on its own.
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I've always written pop songs. I tend to take inspiration from more experimental genres, like ambient music, but at the root of the song, it's verse-chorus-verse.
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I personally love the record-making more than the actually performing and travelling. It's funny, the drastic shift in lifestyle that comes with it. It certainly satisfies my more adventurous side, but it leaves little time for contemplation and all of that.
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I put some songs on the Internet back in 2009 - that's kind of how everything started with Washed Out. I had never really planned on being in a band or anything like that. It was kind of a hobby I did on my own, just recording music.
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I don't think it's an exciting thing to move back in with your parents.
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Something on mainstream radio is very in your face with the vocals. I tried that, and it just doesn't feel like Washed Out. It's got to have that haziness to it.
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I've struggled with depression before. For me, music was always a very positive way to will myself out of that situation.
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Being outside is a loose theme on 'Paracosm.' Acoustic-sounding instruments have that warmth to them that is really important to communicate. It was really important for me to tell a story – my favorite records have a narrative feel.
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I'm not a very technical musician at all.
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The entire making of 'Within and Without' was a series of experiments and trial by error. When I started writing, I didn't have a strong idea of what the record was going to end up like.
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I just make up lyrics off the top of my head. A lot of times, there's a phrase I really like, and I kind of build the song around that.
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We lived in Atlanta for a couple of years, and had a lot of fun, but my best work happens when I isolate myself. It's all about turning inward.
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Making music is pretty much the only thing I can do.
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I try to be as optimistic as I can. I feel like that's the beautiful thing about art and music. It can take you places, and they can be a positive influence. A very soothing influence. Honestly, I feel like there's enough pain and terrible things that happen in life. That's beautiful thing in art, you can really idealize things.
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Ultimately, what interests me is using exotic sounds in my songs.
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I'm entirely self-taught, which I think is both a blessing and a curse.
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Obviously, I never want to make the same record twice. I want to keep moving forward. That's the real challenge, I think.
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Obviously, you want to honour the sound of your music, but I'm definitely open to trying new things and making myself use a different palette of sounds.
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The beautiful thing about working with new instruments is that you sort of approach it with a fresh perspective.
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It is easy to get an interesting loop to happen, but it becomes a collage when the song and loop are constantly changing.