Adolf Galland Quotes
The battle is tough but if you reach where you want to go, then at least in some sense it is worth it.
Quotes to Explore
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As with the onset of sudden celebrity, for the newly rich, the world often becomes a darker, narrower, less generous place; a paradox that elicits scant sympathy, but is nonetheless true.
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I began both auditioning with Pearl Jam and recording for Eleven. In the fall of 1994, I joined Pearl Jam.
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Music is art, and once you become an artist, you need to learn how to accept criticism.
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The character I play is a wonderful compilation of things I hate about myself and things I love about myself and things that I've invented to make her even more interesting than me.
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You don't want to meet anybody in Cannes. It's the worst place, I think, to meet somebody - one of the worst places.
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I always said when I was younger, I wanted to write film music, and I think that's what my ultimate dream is.
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The way to bring about change is to be proactive and active.
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The horror genre is not my favorite. I think it's fun, there's a great place for it and I get a kick out of it, but some stuff I'm too old for. You can't just take 10 guys and stick them in a cabin and off them one at a time - I'm not vested.
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Suggesting a married Jesus is one thing, but questioning the Resurrection undermines the very heart of Christian belief.
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This country wants to laugh. We want to, and we need to. I'm happy to oblige.
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Judges can determine fair justice far better than any inane federal mandate.
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I wear tweed jackets and button-down shirts. I am a 1955 graduate of Harvard University who drives a 1968 Mercedes.
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There's a smartphone gait: the slow sidewalk weave that comes from being lost in conversation rather than looking where you're going.
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In many ways, anger is a misdirected plea for love.
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A person who has been punished is not less inclined to behave in a given way; at best, he learns how to avoid punishment.
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Someone like Amy Poehler, I don't know, but I feel like I know her. I think everyone feels like they know her.
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There is something uniquely American about the motel: It speaks to the transient nature of America itself, one enabled and encouraged by our roads and highways.
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Street artists need to get back to actually doing things on the streets instead of in the galleries where they all seem to be ending up. I hope this term 'street artist' falls from the face of the earth, in my honest opinion.
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I don't mind about the boos from the audience.
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If everyone were a good person, it'd obviously be a better world.
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In all abundance there is lack.
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What's the use of making mysteries? It only makes people want to nose 'em out.
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The battle is tough but if you reach where you want to go, then at least in some sense it is worth it.
