Kevin Dillon Quotes
Quotes to Explore
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When I went to drama school, I knew I was at least as talented as other students, but because I was a black man and I wasn't pretty, I knew I would have to work my butt off to be the best that I would be, and to be noticed.
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I'm black, I don't feel burdened by it and I don't think it's a huge responsibility. It's part of who I am. It does not define me.
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The economy in Ireland has been rampaging ahead for the last 15 years. Barring an international, political or natural catastrophe, things can only get better for the Irish.
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Besides black art, there is only automation and mechanization.
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My dream part would be to play Mitt Romney's sarcastic black maid. We could call it 'Mammy & Me.'
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There was no United States before slavery. I am sure somebody can make some sort of argument about modern French identity and slavery and North Africa, but there simply is no American history before black people.
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Black people must address itself to the causes of poverty. That's oppression in this country.
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Black glutinous rice works in both savoury and sweet dishes. It's a popular pudding rice in south-east Asia, where you'll often come across it cooked with water, coconut milk and a pandan leaf.
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I love to drive in the Black Hills of Wyoming and South Dakota with Mount Rushmore as the central stop.
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The casualties in the Civil War amount to more than all other wars - all other American wars combined. More people died in that war than World War II, World War I, Vietnam, etc. And that was a war for white supremacy. It was a war to erect a state in which the basis of it was the enslavement of black people.
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There are ogres and black beasts out there; you have to be constantly on guard.
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The day after I had my licence to drive, I made Paris/Nice at 230 km/hour.
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I think Paul McGuinness and U2 created the Irish music industry. It certainly wasn't there before that.
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My dad is Irish. I spent my childhood going back and forth between Ireland and America.
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It takes ground activity to stimulate that Black vote.
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We were in the heart of the ghetto in Chicago during the Depression, and every block - it was probably the biggest black ghetto in America - every block also is the spawning ground practically for every gangster, black and white, in America too.
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In a typical history book, black Americans are mentioned in the context of slavery or civil rights. There's so much more to the story.
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It's not that I don't like American pop; I'm a huge admirer of it, but I think my roots came from a very English and Irish base. Is it all sort of totally non-American sounding, do you think?
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You try to shut the criticism out, but it's pretty hard to do. You see people on the street, friends, people that you know are in your corner, and they come and tell you how bad they feel, and that's not the kind of conversation you want. I don't want anyone to feel bad for me.
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The photographs of space taken by our astronauts have been published all over the place. But the eye is a much more dynamic mechanism than any camera or pictures. It's a more exciting view in person than looking at the photographs. Of course, I personally am sick and tired of hearing people talk like that: I want to see it myself!
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When I was young in L.A. and I couldn't get into clubs or restaurants, I would call imitating celebrities and get a table, and it would work often. I was either Stallone or Mickey Rourke: 'This is Sly. I may be late, but my buddy Hank will be there early.'
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My favorite record of all time is Tom Petty's 'Wildflowers.' I hold it as the standard - in terms of sonics, sequencing, and songs. It shows that making a complete record is important, rather than just making a single.
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The best fashion show is definitely on the street. Always has been, and always will be.
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I gotta lot of Black Irish in me.
