Iain Banks Quotes
...and I confess that, like a child, I cry. Ah, self-pity; I think we are at our most honest and sincere when we feel sorry for ourselves.
Quotes to Explore
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My motivation is my desire to help people. If people want to have children and cannot in the normal way, and I can do something about it, then I will do so.
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Let us sacrifice our today so that our children can have a better tomorrow.
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Children are educated by what the grown-up is and not by his talk.
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The number of children is not growing any longer in the world. We are still debating peak oil, but we have definitely reached peak child.
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We are all dreamers creating the next world, the next beautiful world for ourselves and for our children.
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Music, first of all, is completely about abstraction, which is exactly what architecture is not. In a way, it has been incredibly constructive to know what true abstraction is. So you don't fall into the trap of thinking that what you do is abstract.
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We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.
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Fairytales were never really meant for children; they were meant as cautionary tales for teenagers on the verge of growing up.
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The trouble with children is that they're not returnable.
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Children are our second chance to have a great parent-child relationship.
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These days, children can text on their cell phone all night long, and no one else is seeing that phone. You don't know who is calling that child.
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I love children. They're so much fun and I would have a blast spoiling them.
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The other day I was thinking - because I get a lot of headaches - I was wondering whether the head should be where it is. Because, at the end of the day, it's probably the heaviest part of your body, right? And yet it's at the top as opposed to, I don't, dangling at the bottom somewhere.
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It is expected that a children's story will raise a difficulty and then resolve it: increasingly, this resolution is so prompt and so resounding that one forgets what exactly the difficulty was.
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I write for children because I am interested in fantasy and the possibilities for experience of all kinds before the time of compromise. I believe that children are far more perceptive and wise than American books give them credit for being.
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Whenever I go on a ride, I'm always thinking of what's wrong with the thing and how it can be improved.
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Some of the best writing I've done, whether I'm shooting a story or thinking of a script, I write it in my head as I'm running. Running literally jogs my brain.
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There's no room in my life for feeling sorry for myself.
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There's a series of children's books called A Series of Unfortunate Events, which is like an incredibly dark version of Roald Dahl. I hope to start directing it.
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My appearances are almost theatrical performances. I bring items for the children to see, such as photographs and actual piece of meteorite, a family quilt, sometimes spectacles, sometimes clothing, so that they can understand what I write about is family stories based in fact.
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If you read 'Lord of the Rings' and dismiss it as a lie because it has orcs and elves, you're missing the whole point of the story. If children don't have to be concerned about strangers because there's no such thing as a Big Bad Wolf dressed like Granny, you're missing the point.
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Personally, I do the best work with people I'm closest with. I know what their tastes are, and they are similar to mine. That close personal relationship is what delivers the best work.
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Vision, even for a dragon, is woefully unreliable. What you can see with great clarity may not be real; what you cannot see may be the ultimate reality.
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...and I confess that, like a child, I cry. Ah, self-pity; I think we are at our most honest and sincere when we feel sorry for ourselves.
