Kevin O'Leary Quotes
Quotes to Explore
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I've never had to explain 'Prometheus' to people, ever. Most people get it.
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The state must be the first to be organized and totally committed to serving the interests of the people.
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My dad once said that in criminal law you see terrible people on their best behavior; in family law you see great people on their worst behavior.
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So there clearly is a sense in which the Labour Party here, certainly at State level is reaching out and connecting with people and reflecting the aspirations and needs of, you know the mass of ordinary Australians.
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To get important work done, most leaders organize people into teams. They believe that when people collaborate toward a common goal, great things can happen. Yet in reality, the whole is often much less than the sum of the parts.
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I'm planning to be here forever, but I know at some point I'll probably have to give it up. If you live to 100, there's a very good chance you'll live forever. Because very few people die after 100.
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'Frozen' definitely isn't about a man, but about the relationship between two sisters. At different times in our lives we find ourselves either more connected to or disconnected from the people in our family, and I think audiences will really be able to relate to that.
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I was scared, because I knew that in the political arena, you have to satisfy so many different types of people at once, and I wasn't sure that I could speak for everybody and be politically correct.
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The usefulness of a meeting rises with the square of the number of people present.
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When people take advantage of you and make a business out of it, that's not nice.
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Music used to be a lot more about angst for me. Now it's the only form of meditation I do.
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I have met hundreds of young people doing just what George Romney did: using a hand up in tough times to become part of the American Dream.
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It must inquire not merely about the circumstances of the time in general, but in particular about the writer's position with regard to these things, the interests and motives, the leading ideas of his literary activity.
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I don't believe in just ordering people to do things. You have to sort of grab an oar and row with them.
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I love writing but hate starting. The page is awfully white, and it says, 'You may have fooled some of the people some of the time, but those days are over, giftless. I'm not your agent, and I'm not your mommy; I'm a white piece of paper. You wanna dance with me?' and I really, really don't. I'll go peaceable-like.
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I think poetry always lives its life, and people come to it and people go away from it, 'people' in the sense of larger numbers of people. It's as though you begin to think that poetry is a resource, and that at certain times people seem to need it or want it or can find sustenance in it, and at other times they can't.
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What Mexicans want and aspire to, is to go there and work temporarily and raise some money and come back home. That's what they want, so nobody's asking for those two, three million Mexicans that are illegally in the United States to become American citizens.
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Yeah, that's what kind of, we get the idea a little bit yeah, because other people from different countries also try as hard as they can to get a medal or a gold medal in the Olympic Games. And you know, if they can work hard, we can work hard as well.
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I have always felt extremely weird. But I am very happy with my weirdnesses, and I want other people to be very happy with theirs.
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People are used to juggling multiple jobs and multiple responsibilities and multiple things on the home front, and sometimes you get a day off to read, and you just want a book that feels complete and that you can get through it on a rainy day on the couch.
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I lived long enough to see the cure for death; to see the rise of the Bitchun Society, to learn ten languages; to compose three symphonies; to realize my boyhood dream of taking up residence in Disney World; to see the death of the workplace and of work.
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I love knowing that people are connecting to my lyrics, my music and me.
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It's funny that some ideas start with a little "What if?" and then suddenly you're spending a million dollars to shoot the scene and hoping that it works.
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There's something very visceral about watching people beg for money. It's powerful.
