Aeschines Quotes
Quotes to Explore
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Dangerous people with guns are a threat to women.
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Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
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It's good to make your own things because you can have control of your own art.
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Hackney at certain epochs has given itself suburban airs and graces, before being slapped down and consigned once more to the dump bin of aborted ambition.
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I don't know that I've ever bought anything online. I'm about 10 years behind the technological curve, I think.
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I worked with fantastic actors, fantastic directors. People I would never otherwise have met. Was I limited? Yes. Did I use it as I could have? No. But I was always ambivalent about Hollywood and what I wanted. And ambivalence in our business is no good for success.
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There was a tsunami and there are terrible natural disasters, all of this because of too little Torah study.
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I wish that they had the freedoms like the Japanese and the Koreans and the Mexicans and everybody else that has that freedom to come over here and play the game, because I know Cuba has a very strong baseball history.
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Modern recording has made it so that people can spend forever taking shortcuts and making everything uniform, but that strips music of what makes it exciting.
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I have the attention span of a rabbit on cocaine.
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With that kind of money, I could have invaded some country.
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What more delightful avocation than to take a piece of land and, by cautious experimentation, to prove how it works? What more substantial service to conservation than to practice it on one's own land?
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I have never met a woman who works who doesn't feel guilty. I mean we all deny it like crazy but deep down there is always that voice saying you should be at home.
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The brave view is that talking it out helps work it out. Maybe the realistic view is that talking it out inflames the issues further. But that is America, especially these days.
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When I was either 7 or 8 years old, I did a sketch every day of my teacher and what she wore. At the end of the year, I gave her the sketchbook. For me, the sketching of dresses was about fantasy and dreams.
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When a customer sits inside the car, then they have to have the feeling that it's an Audi - whether it's the leatherwork or the bodywork. All these things must be typically Audi.
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I wouldn't like to say that I spend most of my time on holiday, but I have done a lot of traveling and have been to a lot of places.
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I didn't go to a business school. I didn't really study it.
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It is important to see that my paintings are ultimately stimulating. They are not at all the kind of thing that inspires despair.
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For me it's more important that I outline all the facets of a controversial issue and let the reader make up his or her mind. I don't care if readers change their minds, but I would like readers to ask themselves why their opinion is what it is.
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I lived for two years in Odawara, a castle town an hour outside of Tokyo, near the sea. It's a beautiful place, and I drew on my experiences there when writing 'The Lake of Dreams.'
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Nothing so resembles a daub as a masterpiece.
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In middle school, I really didn't have music, but in high school, I remember taking a lot of choir and drama.
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Right is not unlimited, but is limited by the laws.
