V. S. Pritchett Quotes
Prep school, public school, university: these now tedious influences standardize English autobiography, giving the educated Englishman the sad if fascinating appearance of a stuffed bird of sly and beady eye in some old seaside museum. The fixation on school has become a class trait. It manifests itself as a mixture of incurious piety and parlour game.
Quotes to Explore
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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Movies are usually difficult, often insane, constantly challenging and always strangely amusing to make.
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In Cuba, I would start the first two months hitting around .260 with three or four home runs. After the first half of the season, I would get hot, and that's when I would have my best results.
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Everything was magnificent so far, even if I knew my part of dramas.
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My father is a silent cinema freak, so he took me to 1925 silent films that took forever, like 5-hour movies, but I've seen a lot of that stuff since I was young. And then I saw the film 'Annie,' and I just wanted to be Annie; I just wanted to be that orphan kid and wanted to sing and dance.
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I think punditry serves no purpose.
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I never feel like there's any one point to the film, to anything, to any of the movies I've made.
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Every teenager and everybody around the ages from 10 to 18 has to go through finding out who they are.
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A certain number of people seek power over other people in a desperate attempt to find themselves. They fail, for self-discovery is spiritual in nature, not social or political. Authoritatively telling other people what to do is their distraction from an inner emptiness they can never fill.
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The consuming desire of most human beings is deliberately to plant their whole life in the hands of some other person. I would describe this method of searching for happiness as immature. Development of character consists solely in moving toward self-sufficiency.
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The way that people have gotten on board with me is the most encouraging thing in the world, but it's all very connected to the 14 years I've been on tour with Steel Train, even my band before that, Outline, and then fun. and now Bleachers.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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My mother took great relish in introducing me as 'This is my son - he's a doctor but not the kind that helps people.'
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It's a constant challenge trying to find balance between styling, designing and being a mom.
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My writing has been largely concerned with the depicting of Negro life in America.
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Throughout out history, when people have looked for new ways to solve their problems, and to uphold the principles of this nation, many times they have turned to political parties. They have often turned to the Democratic Party.
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I will never do 'Pulp Fiction 2,' but having said that, I could very well do other movies with these characters.
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With dance and theatre, I think people get very nervous about not knowing the right things. They feel like they've missed something, or that they're not bright enough to watch it. It's not a test.
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Toni Collette has been a huge influence. She was my absolute number one idol, and then I got 'United States of Tara.' I was pinching myself. I couldn't believe the first day I was on set, and I got pages of dialogue of real stuff to do with her.
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The proposed Bush regulations put politics above the health care needs of Americans.
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'90125' was our biggest-selling album worldwide.
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I grew up watching 'Disco Dancer'. I watched it some 20 times as a kid.
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Prep school, public school, university: these now tedious influences standardize English autobiography, giving the educated Englishman the sad if fascinating appearance of a stuffed bird of sly and beady eye in some old seaside museum. The fixation on school has become a class trait. It manifests itself as a mixture of incurious piety and parlour game.
