Agnes Martin Quotes
Some things fail and others succeed. Well, then you get quite desperate, and you think: 'I am going to work and work and I'm not going to have any failures.' But then you find out that failures are inevitable; you can't even draw a straight line, you know that.
Quotes to Explore
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
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What's great about stand-up is that you can say whatever you want and go around the country, and sometimes the world, and work on it and see how people react. You don't need Standards & Practices or notes from lawyers or producers to tell you what's funny.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I got to work with legendary director Garry Marshall.
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I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
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You have another little drink, and I'll have another little drink, and maybe we can work up some real family feeling here.
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Sexual harassment at work... is it a problem for the self-employed?
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Our contribution purely depends on our consciousness and our willingness to support those in need, to show vulnerability and accept the support of others, to share without expecting the credit, to give it our all and allow our hard work to decide the outcome, to understand that control can only be achieved with a shared responsibility.
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I've always been a feminist, and what I love in my work is being able to explore a full-sided woman and not patronize her.
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Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
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America's growth historically has been fueled mostly by investment, education, productivity, innovation and immigration. The one thing that doesn't seem to have anything to do with America's growth rate is a brutal work schedule.
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Executive ability is deciding quickly and getting somebody else to do the work.
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I had a job since I was old enough to work - since I was, like, 14.
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Voting to go on strike is not a decision working people take lightly and is always accompanied by a strong sense of injustice at work. The impact of losing a day's pay is significant, not least for those in the lowest paid jobs who are already on the tightest budgets.
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I refuse to accept that the shackles of slavery can ever be stronger than the quest for freedom.
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Many people who want to be great aren't willing to do the work to make it possible!
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I come from a simple background, so I couldn't call my father and say, 'Come pay my bills,' so I had to get out there and work.
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When the mind, body, and spirit work together, I believe anything is possible.
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That's one of the benefits of working on big budget films. You work with people who have a lot of experience and you get to learn a lot.
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My doctor told me to stop having intimate dinners for four. Unless there are three other people.
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I see the American experience as being defined by the immigrant paradigm of rupture and renewal: rupture with the old world, the old ways, and renewal of the self in a bright but difficult New World.
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I feel the human mind is a jigsaw puzzle that I will never be able to solve.
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Some things fail and others succeed. Well, then you get quite desperate, and you think: 'I am going to work and work and I'm not going to have any failures.' But then you find out that failures are inevitable; you can't even draw a straight line, you know that.
