Natalia Ginzburg Quotes
The English have no imagination: and yet they do show imagination in two things - two only. In the evening-clothes worn by old ladies, and in their cafés.
Quotes to Explore
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I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.
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I would not be gotten into a schoolhouse until I was eight years old. Nor did I accomplish much after I started. I doubt if I had gone to school six months in all when my father died. I was fourteen at the time.
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I keep returning to the central question facing over-50 women as we move into our Second Adulthood. What are our goals for this stage in our lives?
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Over the years, I have been asked to play these sort of scary frenetic characters that express their emotions physically.
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I have never found out that there was in my family an artist or anyone interested in the arts or sciences, and I have never been sufficiently interested in my 'family tree' to bother. My father and mother had come to America on one of those great waves of immigration that followed persecution and pogroms in Czarist Russia and Poland.
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I always wanted to be an actress. And it wasn't ego. I felt so little about myself, considered myself such a sparrow. Not just my size. I thought I was so plain... I did plays not to show off but because if I did that - I didn't realize it at the time - I would be somebody other than this person I didn't really approve of.
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The beautiful thing is that ageism just doesn't exist on 'EastEnders.' The show saved me.
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I enjoy my life, I love track, I'm set for life financially.
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Frequently you have a clash between the more sterile letter of the law and the justice that underlies it, and I think one of the things I've been trying more or less, where it was possible, is to go with the justice rather than the letter of the law.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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For me, the day job comes first. That's why I call myself a diplomat who writes, not a writer who masquerades as a diplomat. If the day job demands it, I won't write at all. I write in what I call 'the crevices of my day job', and that comes only on weekends.
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The most influential factor in selling a home is always price. Don't build 'wiggle room' into the asking price. There's a price war out there and you have to win it from the get-go.
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I wasn't in shape at all before I decided to do boxing. I wasn't an athlete. Before boxing, I would go to the gym for a month and stop.
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It is in revolutionary periods that the culmination of previous trends and the beginning of new ones appear.
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All wisdom does not reside in Delhi.
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Biggie has been the logo for success, the logo for doing it big - from popping champagne, the ladies, the fashion.
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It is not enough just to wish well; we must also do well.
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I think art comes from some sense of discomfort with the world, some sense of not quite fitting with it.
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I have this dream that the first responders to 911 calls will not be law enforcement personnel but robots. Robots can put eyes and ears on the scene much faster than you can with policemen or women.
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I was in my mid-teens when someone gave me a copy of 'Pears Encyclopaedia of Myth and Legends' as a birthday present. It sat on my shelves for many months before I looked at it. When I did, I couldn't stop reading it.
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Then, as always, I felt morally obligated to advocate our official position, even when it conflicted with my personal views.
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After all, from the Muslim Brotherhood's inception in Egypt in 1928, it has been a revolutionary organization committed to the imposition worldwide of a totalitarian, supremacist Islamic doctrine they call shariah.
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The English have no imagination: and yet they do show imagination in two things - two only. In the evening-clothes worn by old ladies, and in their cafés.
