Aidan Gillen Quotes
I've made a point of trying not to play the same part, and of moving between theatre and film and TV. The idea is that by the time you come back, you have been away for a year and people have forgotten you. If you like having time off, which I do, that's a good career strategy.
Quotes to Explore
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We all sit in front of our mics and our scripts lay on music stands. Then the silliness begins!
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I've been really lucky with the people that I've gotten to work with. I learn a lot from them, just by watching them.
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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In my experience, I think there's must ado about fidelity and infidelity. I think sometimes true emotional relationships can go beyond those.
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Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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I don't follow anything blindly. I have to know the entire thing, if I have to get in to it. It might sound funny to you, but it's like using English language. I use an English word only when I know its meaning and understand its connotation. You won't hear me say, 'What's up, dude' or anything like that just for the heck of it.
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In passing, also, I would like to say that the first time Adam had a chance he laid the blame on a woman.
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Themes only arise after a novel is written, and people begin to try to talk about it.
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But it is a hard, it's a hard profession teaching acting.
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I've had the most untraumatic life a human being can have. But I've always been drawn to those who have had far more complicated histories.
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I enrolled in an acting workshop and my first acting role was on the TV soap opera 'Melrose Place.'
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When I say I'm an authentic conservative, it's because when you look at who I am and where I come from, it'd be a lot easier to have grown up a Democrat.
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When I was a kid, there was always food to be had on the street in Jerusalem, but anything above a falafel stand was mediocre or worse.
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When I was in Van Halen I was hitting notes that were out of my range. I never went for those registers before until Eddie pulled it out of me.
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I think it's natural for a creative to be sensitive. If I'm in the studio and I write something, I think it's the greatest thing in the world; it's like my baby. I just made something out of thin air that exists now in a tangible form. It's the biggest thrill in my life.
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I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.
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I was shocked when I heard that Farghadani had been sentenced to 12 years and nine months in prison on spurious charges, as Amnesty International notes, of 'spreading propaganda against the system,' 'insulting members of the parliament through paintings' and 'insulting the Supreme Leader' with her cartoon.
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In economics, one of the most important concepts is 'opportunity cost' - the idea that once you spend your money on something, you can't spend it again on something else.
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When Morrissey and I started The Smiths, we thought pop music was the most important thing in the world. It was almost a spiritual thing for us, and because of that, we knew what it meant to be a fan.
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I met Jill Soloway at Sundance a couple years ago. I was there for 'Crystal Fairy', and she was there for 'Afternoon Delight'. She reached out and wanted to get together.
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It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost.
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The market has a simple way of whittling all excessive pride and overblown egos down to size. After all, the whole idea is to be completely objective and recognize what the marketplace is telling you, rather than try to prove that the thing you said or did yesterday or six weeks ago was right. The fastest way to take a bath in the stock market or go broke is to try to prove that you are right and the market is wrong.
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I've made a point of trying not to play the same part, and of moving between theatre and film and TV. The idea is that by the time you come back, you have been away for a year and people have forgotten you. If you like having time off, which I do, that's a good career strategy.
