Aidan Quinn Quotes
Quotes to Explore
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I like films to be complete in their written form.
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What brought the British to the Gambia in the first place - which was bigger than it is now - was trade in ivory because the Gambia had a lot of elephants. They wiped out all the elephants and ended up selling Africans.
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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I think that one of the primary roles of an attorney, and certainly we try to teach it here to our students, is that you counsel compliance with the law. The lawyer, more than simply being a mouthpiece for the client and advocating at whatever cost the client's interest, is also an officer of the court in questions that appear before the court.
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I work in a very contained environment, usually.
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I'm open to all the elements, I'm definitely ready to take anything on. But I don't want to jump too far into the deep end.
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Tyrannies not only want to control your mind and thoughts but your flesh as well.
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My dream was to play in good films, no matter in what country. I always waited for a decent script, and nothing has changed. I'm just sure that nothing in life is random, and I believe in the fate which guides you. Probably my starring in 'A Good Day to Die Hard' is good proof of that.
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It's the fans that need spring training. You gotta get 'em interested. Wake 'em up and let 'em know that their season is coming, the good times are gonna roll.
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The three theater peeps I would love to dine with are Mel Brooks, because he is so funny; Stephen Sondheim, because he is a god-like genius; and Ethel Merman, to compare notes on fabulous belting.
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There is a very thin line between confidence and arrogance.
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Do you know what I love about hunting? That I am no one in the woods, no one at all. I thought the animals might recognize me, but they didn't. They did not even ask me for any autographs.
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Of course, individuals vary greatly within each racial group and should be treated as such.
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The only competition worthy of a wise man is with himself.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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A lot of people in the media, and some everyday people, really aren't in search of the truth. They're in search of something worse than that. Money, yeah. I think the media's the kind of a thing where the truth doesn't win, because it's no fun. The truth's no fun.
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I don't want to be someone else.
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I like to have friends in the kitchen and make a big mess and use every pot in the kitchen.
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Most of us were probably less than immaculately honest as teenagers; it's practically encoded into adolescence that you savor your secrets, dress in disguise, carve out some space for experiments and accidents and all the combustible lab work of becoming who you are.
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My name became known because I was, one might say accidentally the target of state repression and because so many people throughout the country and other parts of the world organized around the demand for my freedom.
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The American people have a right to know the source of the money that is being spent. They should be told who is behind the millions of dollars in campaign ads, and they should receive this information before they vote.
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I was in a sketch group in L.A., and we were playing, like, backyards in Glendale and stuff. It was pretty ugly because we didn't have any money.
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It is well known that, when two authors meet, they at once start talking about money-like everyone else.
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Money is just something to be circulated.
