Aidy Bryant Quotes
There's no conversation happening between plus-size women and designers. The door is never open.
Quotes to Explore
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It seems to me that trying to live without friends is like milking a bear to get cream for your morning coffee. It is a whole lot of trouble, and then not worth much after you get it.
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I'm as radical as libertarians come.
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Most people work for the private sector, which cannot exist without profit.
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Indeed the three prophecies about the death of individual art are, in their different ways, those of Hegel, Marx, and Freud. I don't see any way of getting beyond those prophecies.
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Don't manage - lead change before you have to.
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I don't think there is much value in trying to use the moon as a base to go to Mars. That's going into one gravity belt and having to get back out of it again. And the moon doesn't have a lot to offer as a resource base.
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It's always an honor to represent your country.
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My writing could be the most beautiful or important piece of prose, but it means nothing if it's boring, if people aren't listening or reading. I think transporting someone, putting them in a story for a few hours, taking them out of their worlds, is what I always strive to do.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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I got into politics because businessmen should be spending your money.
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There was definitely a time where I did not believe in the Lord. I needed to understand the love of God.
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I do not think that it is right for me to start giving opinions about the human rights situation of any country, including Gambia, except when those crimes translate into the crimes that I have to investigate.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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I owe it all to Jesus.
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My role models were always the Pacinos and the Oldmans, the guys who get dirty with their characters, and I arrived in L.A. during the big boom of 'Dawson's Creek.' I was getting cast as the boy next door, or the friend of the jock. I thought, 'Did I really have to do all that studying?'
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I used to have a very unmediated experience of food but, because of the recipe testing, I've lost that now. I can't switch it off even when I'm on holiday.
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Museums are western inventions where the rich and the powerful or the government and the state tend to exhibit the signs and symbol and images of their culture.
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The hero is one who kindles a great light in the world, who sets up blazing torches in the dark streets of life for men to see by.
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As a producer, sitting on the other side of the desk, I have never once had an agent go out on a limb for his client and fight for him. I've never heard one say, 'No, just a minute! This is the actor you should use.' They will always say, 'You don't like him? I've got somebody else.' They're totally spineless.
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I've done modeling since I was 18, but it didn't take off until I moved to Los Angeles. Modeling has always been something I've been really good at, and has been something that's helped pay bills.
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Mine was quite a working-class childhood with very little money, and my father was out of work a couple of times, which had quite a traumatic effect.
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Being a great father is like shaving. No matter how good you shaved today, you have to do it again tomorrow.
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People want to put women in one box, and I'm interested in how women can be everything at once.
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There's no conversation happening between plus-size women and designers. The door is never open.
