Aidy Bryant Quotes
There's no conversation happening between plus-size women and designers. The door is never open.
Quotes to Explore
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It seems to me that trying to live without friends is like milking a bear to get cream for your morning coffee. It is a whole lot of trouble, and then not worth much after you get it.
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I'm as radical as libertarians come.
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Most people work for the private sector, which cannot exist without profit.
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Indeed the three prophecies about the death of individual art are, in their different ways, those of Hegel, Marx, and Freud. I don't see any way of getting beyond those prophecies.
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Don't manage - lead change before you have to.
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I don't think there is much value in trying to use the moon as a base to go to Mars. That's going into one gravity belt and having to get back out of it again. And the moon doesn't have a lot to offer as a resource base.
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It's always an honor to represent your country.
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My writing could be the most beautiful or important piece of prose, but it means nothing if it's boring, if people aren't listening or reading. I think transporting someone, putting them in a story for a few hours, taking them out of their worlds, is what I always strive to do.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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I got into politics because businessmen should be spending your money.
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There was definitely a time where I did not believe in the Lord. I needed to understand the love of God.
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I do not think that it is right for me to start giving opinions about the human rights situation of any country, including Gambia, except when those crimes translate into the crimes that I have to investigate.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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I owe it all to Jesus.
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My role models were always the Pacinos and the Oldmans, the guys who get dirty with their characters, and I arrived in L.A. during the big boom of 'Dawson's Creek.' I was getting cast as the boy next door, or the friend of the jock. I thought, 'Did I really have to do all that studying?'
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I used to have a very unmediated experience of food but, because of the recipe testing, I've lost that now. I can't switch it off even when I'm on holiday.
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Museums are western inventions where the rich and the powerful or the government and the state tend to exhibit the signs and symbol and images of their culture.
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The hero is one who kindles a great light in the world, who sets up blazing torches in the dark streets of life for men to see by.
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The biggest compliment to me is that guys really approach me and they have a connection with me, so there must be something I'm doing that is authentic, otherwise they wouldn't connect with me so strongly. It's a real compliment.
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It's marvelous when you visit Tokyo: they have these clubs, and they'll have 'Motown Night' or 'The Beatles - Totally Authentic and Live!' You know it's shrunk, but at least there's some sort of youthful figure to it. Whereas, the blues scene in Europe is more like, 'Here we go again.'
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I loved Veronica right off the bat. She was so strong and I think it is so important because there are so few shows that portray women, especially young women, as being strong and being able to stand up for themselves.
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One out of six women are toxic with mercury. Mercury comes out of coal plants and chlorine plants. I am toxic, I deal with symptoms, children are born with, you know, autism - there is an epidemic in this country. This is like, the air that we breath.
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There's no conversation happening between plus-size women and designers. The door is never open.
