Camille Paglia Quotes
Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
Quotes to Explore
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There was a film called 'FM,' and we were asked to do the title song. And I said, 'Does it have to have any specific words?' And they said, 'No, it just has to be about FM radio.' It took a day or two to write.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.
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You can't get emotional about your work.
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It's hard for us to really understand the immensity so far of the conquest of space.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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No man or woman who tries to pursue an ideal in his or her won way is without enemies.
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No one who knew Diana will ever forget her. Millions of others who never met her, but felt they knew her, will remember her.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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Kelly Clarkson definitely reminds me of Motown. She's pop, but she's also very, very soulful.
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Whether we or our politicians know it or not, Nature is party to all our deals and decisions, and she has more votes, a longer memory, and a sterner sense of justice than we do.
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Wayne and Drake, it takes them so long to do a song. I understand why, because they want it to be perfect. But I think I can do a perfect song in 10 minutes.
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My 80-year-old mother will not buy her heart medicine because it cost more than she can pay with social security. She is America.
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People say, what is she thinking? I'm thinking: fun; cash; travel.
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The boundary between space and the earth is purely arbitrary. And I'll probably always be interested in this planet - it's my favorite.
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She teaches me to be kind, punctual... and to stand up for myself. And when I think about it, aren't these things every mother should teach their daughter?
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Ray Bradbury's connections to fantasy, space, cinema, to the macabre and the melancholy, were all born of his years spent running, jumping, galloping through the woods, across the fields, and down the brick-paved streets of Waukegan.
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Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
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The Constitution's pretty clear. The Federalist papers are pretty clear... They very specifically delegated the power to declare war to Congress. They wanted this to be a congressional decision; they did not want war to be engaged in by the executive without approval of Congress.
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It is easy to tell the toiler How best he can carry his pack But no one can rate a burden's weight Until it has been on his back
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When I wrote my book I wanted to love someone. I wanted to be in love. Now I know that I shall never be in love - and I no longer wish to be.
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My wife is the boss at home, and my daughters are the bosses. I am just the worker. We are a very warm family and very happy.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
