Johann Wolfgang von Goethe Quotes
Quotes to Explore
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The true character of ministry is a servants heart.
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My wife and I often visit Rosales and the Ilokos as a matter of habit or whim induced by nostalgia, homesickness - whatever draws pilgrims to worshipped sanctuaries. Or, perhaps, what compels moths to seek the votive flame.
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I'm one of those crazy people, if I'm watching the trailer for a movie and I'm really excited by it, I'll turn it off because I don't want to know anything. I want to be surprised because I love that more than knowing anything.
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Every story makes a promise to the reader. Actually, two promises, one emotional and one intellectual, since the function of stories is to make us both feel and think.
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There are lines that I know are going to get a belly laugh, but after a few shows I get sick of hearing myself say them so I drop them.
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Writers who are activists are very rarely taken seriously as artists.
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Of course I wanted children. Bright, gorgeous, loving children. I could almost see them.
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I have tons of art books. I have them all over the place. They are in my car, in my bag, and in my studio. There are books around me all the time.
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To generate creative ideas, it's important to start from an unusual place. But to explain those ideas, they have to be connected to something familiar.
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A consumer is a shopper who is sore about something.
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At the end of the 1970s, I was a young researcher at the Weizmann Institute with an ambitious plan to shed light on one of the major outstanding questions concerning living cells: the process of protein biosynthesis.
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I'd like to go back to standup. I don't like to think I've done my last gig. At the moment it terrifies me, I get really nervous. It's a great buzz when it goes well.
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Billy Wilder is really is a heavy influence on Bound. We felt that film noir was a genre where you could create a really contained story. We wanted to be on a set as much as we could to get the kind of style level we were looking for.
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Any time you're a poster child for the CIA, there are a lot of people that are - either have ideological or they are mentally unbalanced - that are going to try to find you and perhaps cause you harm.
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Shouldn't you put the same amount of effort into your giving as you might for your for-profit investments? After all, philanthropy is an investment, and one in which lives - not profits - are at stake.
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I fancy myself at being pretty good at understanding a script and finding the weaknesses, and then making them more radical than they are. People tend to listen to me.
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I think everybody has a bent, and the key is to follow that bent. So much human wastage comes from people who are doing things with their lives that they really aren't happy with.
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When I was a boy, I wanted to be a Ninja. Now I am a man, now I am a Ninja.
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People have seen me at my best, but I don't think most of them know everything that it took to get me to where I am today.
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I aspire to write what are called 'familiar essays.' They begin in the personal and end in the universal. It's not for me to say if I have been successful at it. But that is the hope.
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Sometimes, I think the best kind of poem is one in which there is an acute balance between what is humorous and that which is very serious. That balance is very hard to strike. But it can be done.
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There's never going to be a great misunderstanding of me. I think I'm a little whacked.
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Every actor wants to find a piece of work that's innovative and powerful and moving.
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We always hope, and in all things it is better to hope than to despair.
