John Adams Quotes
Quotes to Explore
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You need a routine, to be able to spend some time with a person, and my lifestyle is constantly on the move.
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It's interesting to have two totally unlikable characters as the love interests on a show.
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If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
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The claim made by Team Obama that every dollar in stimulus translates into a dollar-and-a-half in growth is economic fiction. The costs of stimulus reduce future growth. No country has ever spent itself to prosperity. The price of stimulus has to be paid sometime.
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The nature of good fiction is that it dwells in ambiguity.
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I can't exactly say why there's not much protest music to speak off. And I know there are acts out there still putting a message in their music.
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The only thing documentary filmmakers have to work with, at least the way I make films, is trust. That's been true of everyone from James Carville and George Stephanopoulos to the kids in 'American High' to the soldiers in 'Military Diaries' to Anna Wintour to Dick Cheney.
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As scary as it is, I like making real, direct eye contact with people from the stage. In a sense, it's like modeling: that feeling of locking in and projecting some kind of emotion to try to captivate people.
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From a linguistic point of view, you can't really take much objection to the notion that a show is a show is a show.
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Work means independence. It allowed me to shape my life on so many levels.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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Jennifer Aniston and Paul Rudd are really amazing, lovely people and really great comedic actors.
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No adultery is bloodless.
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I can't wait to get my face lifted but my husband says, 'No, don't do it.' I think if it makes you feel better, go for it, but it would be nice if it looked good. There are a lot of people out there who are disasters and you think, 'Why did you do that?'
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I never met a woman I didn't like. I love 'em all, in their different ways.
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There's a place in me that can really relate to being the underdog.
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I think it's important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, it's where they begin as children that is important to them.
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In the U.K. there is still work to be done, particularly in schools, stopping the homophobic bullies in the playground and introducing unbiased discussion on gay issues in the classroom.
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It's very lucky to be able to do a job where I get to sit about writing plays all day and going to the theatre. The downside, I suppose, is that you put it out there, and people are invited to like it or loathe it.
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I grew up in a very small town in Massachusetts, and it goes without saying that there weren't many Nigerian families in that town, and a lot of people couldn't say Uzoamaka.
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I always knew I wanted to be somebody. I think that's where it begins. People decide, "I want to be somebody. I want to make a contribution. I want to leave my mark here." Then different factors contribute to how you will do that.
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I've wanted somehow to convey to you the sensations - the atmospheric pressure, you might say - of what it is to be seriously a long-term prisoner in an American prison.
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With the first act of cruelty committed in the name of revolution, with the first murder, with the first purge and execution, we have lost the revolution.
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There are few people in this world with whom I can converse.
