Wallace Stegner Quotes
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I am impressed by how much of my grandparent's life depended on continuities, contacts, connections, friendships, and blood relationships.
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We are the only species which, when it chooses to do so, will go to great effort to save what it might destroy.
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A writer is an organism that will go on writing even after its heart has been cut out.
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Fossil energy is the worst discovery man ever made, and his disruption of the carbon-oxygen cycle is the greatest of his triumphs over nature. Through thinner and thinner air we labor toward our last end, conquerors finally of even the earth chemistry that created us.
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... I was reminded of a remark of Willa Cather's, that you can't paint sunlight, you can only paint what it does with shadows on a wall. If you examine a life, as Socrates has been so tediously advising us to do for so many centuries, do you really examine a life, or do you examine the shadows it casts on other lives? Entity or relationships? Objective reality or the vanishing point of a multiple perspective exercise? Prism or the rainbows it refracts? And what if you're the wall? What if you never cast a shadow or rainbow of your own, but have only caught those cast by others?
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National parks are the best idea we ever had. Absolutely American, absolutely democratic, they reflect us at our best rather than our worst.
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We need wilderness preserved-as much of it as is still left, and as many kinds-because it was the challenge against which our character as a people was formed.
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In a way, it is beautiful to be young and hard up. With the right wife, and I had her, deprivation became a game.
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Every book that anyone sets out on is a voyage of discovery that may discover nothing. Any voyager may be lost at sea, like John Cabot. Nobody can teach the geography of the undiscovered. All he can do is encourge the will to explore, plus impress upon the inexperienced a few of the dos and don'ts of voyaging.
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We were going to leave a mark on the world but instead the world left marks on us.
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History is not the proper midden for digging up novelties. Perhaps that is one reason why a nation bent on novelty ignores it.
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I wonder if ever again Americans can have that experience of returning to a home place so intimately known, profoundly felt, deeply loved, and absolutely submitted to? It is not quite true that you can't go home again. I have done it, coming back here. But it gets less likely. We have had too many divorces, we have consumed too much transportation, we have lived too shallowly in too many places.
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Young writers should be encouraged to write, and discouraged from thinking they are writers. If they arrive at college with literary ambitions, they should be told that everything they have done since their first childhood poems, printed in the school paper, has been preparation for entering a long, long apprenticeship.
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It is almost impossible to write fiction about the Mormons, for the reason that Mormon institutions and Mormon society are so peculiar that they call for constant explanation.
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A muddy little stream, a village grown unfamiliar with time and trees. I turn around and retrace my way up Main Street and park and have a Coke in the confectionery store. It is run by a Greek, as it used to be, but whether the same Greek or another I would not know. He does not recognize me, nor I him. Only the smell of his place is familiar, syrupy with old delights, as if the ghost of my first banana split had come close to breathe on me.
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[Friendship] is a relationship that has no formal shape, there are no rules or obligations or bonds as in marriage or the family, it is held together by neither law nor property nor blood, there is no glue in it but mutual liking. It is therefore rare.
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Towns are like people. Old ones often have character, the new ones are interchangeable.
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Wisdom. . .is knowing what you have to accept.
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I think, don't you, that a girl with any delicacy of feeling couldn't bring herself to marry a man indirectly responsible for her father's death. No matter how much she was in love with him.
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The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.
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I consider the integrity of the material to be of greater value than any message I might want to get across.
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I may not know who I am, but I know where I am from.
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Largeness is a lifelong matter. You grow because you are not content not to. You are like a beaver that chews constantly because if it doesn't, it's teeth grow long and lock. You grow because you are a grower; you're large because you can't stand to be small.
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I was shaped by the west and have lived most of my life in it, and nothing would gratify me more than to see it in all its subregions and subcultures both prosperous and environmentally healthy, with a civilization to match its scenery.