Al Gore Quotes
If we meet our great responsibility, I believe we can not only deter aggression and create an ever more secure and widening world of security - but we can also shape, step by step, a future of liberty and opportunity across the world.
Quotes to Explore
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'Murder in the First' takes 12 episodes to explore the crime and the issues surrounding it, all in the hopes of answering the question, 'How did we get to this point?'
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I have an inner satisfaction of having done what I thought was right at the time which I thought was propitious.
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We did a remake of Lost in Space. Filmed it in London for four months.
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My dad is extremely successful, so I've seen the money and luxury growing up. I'm nowhere close to his stature.
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Whenever I'm caught between two evils, I take the one I've never tried.
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I don't want to mess with my face. So I'm becoming fluent in French so I can go to France and make French films when I'm 60.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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If you wanted to build an Internet startup in 2005, you had to buy your own servers and hire someone to manage it. Now, that's unheard of.
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The nearest approach I have ever seen to the symmetry of ancient sculpture was among the Arab tribes of Ethiopia. Our Saxon race can supply the athlete, but not the Apollo.
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But all bubbles have a way of bursting or being deflated in the end.
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I like writers who seem to write because they have to. You get the feeling of this burning desire to tell a story. I find it in Peter Carey, Nicola Barker, Ali Smith and David Foster Wallace.
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In the hands of good writers, you have the opportunity to present both sides of an opinion equally and that you leave it to the audience to listen and then make up their own minds.
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I went through a big Kurt Vonnegut phase. But the writers who made me decide at a very early age that this is probably something I wanted to do were Stephen King and Douglas Adams, when I was probably, like, ten years old.
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I always send new writers to 'Writer's Digest Books' line-up of how-to books. I read them all when I was starting out, and they were very helpful.
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We cannot control what emotions or circumstances we will experience next, but we can choose how we will respond to them.
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Honesty and loyalty are key. If two people can be honest with each other about everything, that's probably the biggest key to success.
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I've had so many horrible things happen in my life since I did 'Home Improvement' that it's worried me about doing comedy because - how do I say this - I'm a much darker person than I was.
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What you see is what you get.
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You just have to take these opportunities when they come along. They're not that frequent; you'll get a really good script, oh, maybe once a year if you're lucky.
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I think she has more gospel style than I do. I think I'm more, umm, you know mainstream I guess. I don't know if we split the vote. That could be possible but I don't think we are the same at all.
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I don't think any particular painters have inspired me, except in a general sense. It was more a matter of corroboration. The visual arts, from Manet onwards, seemed far more open to change and experiment than the novel, though that's only partly the fault of the writers. There's something about the novel that resists innovation.
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My ball is in a bunch of fern, A jolly place to be; An angry man is close astern- He waves his club at me. Well, let him wave-the sky is blue; Go on, old ball, we are but two-We may be down in three, Or nine-or ten-or twenty-five-It matters not; to be alive, Is good enough for me.
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I have three kinds of friends: those who love me, those who pay no attention to me, and those who detest me.
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If we meet our great responsibility, I believe we can not only deter aggression and create an ever more secure and widening world of security - but we can also shape, step by step, a future of liberty and opportunity across the world.
