Al Hirschfeld Quotes
Quotes to Explore
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I feel like the reason people feel like they know me is because I'm giving you myself in the music. There's where the connection comes from; you can't Twitter that.
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I don't think I've ever sent a text to Gordon Brown because I'm confident that he would absolutely have no idea how to receive it. He barely managed to master WordPerfect 4.1.
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Whatever our creed, we stand with admiration before the sublime character of Jesus.
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Hair is a huge part of who I am and what I obsess over - I've had long hair my entire life.
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I'm Cuban, so I know a lot of people who act like vampires. But wait, vampires have to be invited to your house, so maybe they are nothing like Latinos!
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Somebody gets to be smart and somebody gets to be dumb. If we win, it'll be because of the president. And if we lose, it'll be because of me.
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My dad always said that hard work beats talent when talent doesn't work hard enough.
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I like different statement jewelry, especially around the ears.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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I like '50s and '60s American art. I have 85 or 90 Warhols.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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Becoming a vampire means completely changing your identity.
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I am Patrick, a sinner, most uncultivated and least of all the faithful and despised in the eyes of many.
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I wanted to live the life, a different life. I didn't want to go to the same place every day and see the same people and do the same job. I wanted interesting challenges.
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I've never been in a relationship before. I've only been in unrequited relationships where people haven't loved me back. I guess I'm a little bit attracted to that in a bad way.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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I like doing my own stunts.
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My mum never told me that I was beautiful when I was a kid – and I didn't read magazines or watch MTV, so I had no real consciousness about it all.
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I was in Nashville quite a bit when I shot 'Nashville,' and I was in Los Angeles when I shot in 'Supergirl'.
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I've been working with Disney all these years doing voice work, and now I'm signed with Disney Fine Arts, doing 'Beauty and the Beast' oil paintings. So it's been an ongoing wonderful job.
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Art has to be reflective of our society.
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I don't really believe in regrets.
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What's my dilemma here? Am I making entertainment or am I making art? What am I saying? At the end of the day, cinema is entertainment for millions of people, but for me it's expression.
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You learn your limitations and then you try to work within them.
