Nancy Lublin Quotes
Do-gooders are easily overlooked. We're supposed to be soft, touchy-feely types, who wear Birkenstocks, compost everything, and write poetry by candlelight.
Quotes to Explore
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I have been offered a lot for my work, but never everything.
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I've been writing a lot of poetry recently. It helps me think and work things out.
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So many athletes who have been close to me have been everything to me.
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I think that as you get older, you become aware of everything that could go wrong.
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I want to be that person who could sacrifice everything for others.
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I want to prove that if you write in strict meter and rhyme about subjects people care about, they will buy poetry.
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For awhile after you quit Keats all other poetry seems to be only whistling or humming.
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The look of being too deliberately dressed, with everything cautiously matching, always bores me.
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An artist can be truly evaluated only after he is dead. At the very 11th hour, he might do something that will eclipse everything else.
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I loved almost everything about being a teacher, but I was an unusual teacher.
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I have rules for everything.
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Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find some universal formula for it.
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Everything has to evolve. Music has to go somewhere. That's what keeps it fresh.
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I couldn't spell anything. I couldn't remember anything, but I could go to a movie and I knew who starred in it, who directed it, everything.
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It is proportion that beautifies everything, the whole universe consists of it, and music is measured by it.
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Poetry and beauty are always making peace. When you read something beautiful you find coexistence; it breaks walls down.
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Time will heal everything.
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I try to cope with everything through humor.
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I think poetry always lives its life, and people come to it and people go away from it, 'people' in the sense of larger numbers of people. It's as though you begin to think that poetry is a resource, and that at certain times people seem to need it or want it or can find sustenance in it, and at other times they can't.
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Don’t you love the Oxford Dictionary? When I first read it, I thought it was a really really long poem about everything.
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I had planned to accomplish something considerable, and this is the end.
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How you use your voice is really important, and it's really driven by context more than anything else, and your tone of voice will immediately begin to impact somebody's mood and immediately how their brain functions.
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I am just too much.
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Do-gooders are easily overlooked. We're supposed to be soft, touchy-feely types, who wear Birkenstocks, compost everything, and write poetry by candlelight.
