Carmen Marton Quotes
When I set my eyes on the gold at the world championships, I was able to maintain that focus that whole day. That's what I aim to do in Rio - my focus is gold, so I can keep in that good state; I can't get too complacent. I can't relax; I can't be content. I need to be 100 per cent switched on.
Quotes to Explore
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Nuclear disarmament and non-proliferation are not utopian ideals. They are critical to global peace and security.
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I did not have three thousand pairs of shoes, I had one thousand and sixty.
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My work was entirely nonfiction.
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Nowadays, there are seven music directors in one film. I had never heard of such a thing before. If one of our old music directors was told to share a score with others, he would have left the assignment.
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Devo and The Cramps didn't get big until they went to New York City. Chrissie Hynde didn't get big until she moved to London. When I was growing up, there wasn't even a place to play - just one little bar. If we wanted to have a gig, then we had to drive 45 minutes up to Cleveland.
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I was very involved with school by the time I was 15 and wasn't working much as a model.
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When the CEO makes a decision, people don't come back on it.
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My roles in the '80s were, like, gender dysphoric. I wasn't pretty, I wasn't this, I wasn't that. And I am kind of butchy, you know. That's just my thing.
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I hate to tell you this, but there's an entire subset of people out there who think of me as quite a dull actor. And that's the word used, and often – dull.
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I'm evangelical.
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I've never been one to want to be the center of attention and be put up on stages every night. That's just not really my personality. I'm comfortable with it now, but my real passion is being creative.
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I was assigned to the heavy cruiser Chicago.
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The smorgasbord of images now presented to us is getting bloodier. They're becoming more frequent - almost hourly.
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It is in the U.S. interest to engage Iran in serious negotiations - on both regional security and the nuclear challenge it poses.
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I am a compulsive and concise shopper.
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I connect with people on a daily basis.
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You know, a lot of things changed. What never changed is the illusion to keep playing tennis, the illusion to keep doing well the things, and the illusion to be in a good position of the ranking and play these kind of matches.
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Coming from a smaller place always made things feel more personal, which is really what it's all about.
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The ingratitude of the world can never deprive us of the conscious happiness of having acted with humanity ourselves.
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When I was 7 and went to the zoo with my second-grade class, I saw chimpanzee eyes for the first time - the eyes of an unhappy animal, all alone, locked in a bare, concrete-floored, iron-barred cage in one of the nastier, old-fashioned zoos. I remember looking at the chimp, then looking away.
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It was hard for me to find my voice because I was, for so long, absorbed in my own world.
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In most writers, style is a welcome, an invitation, a letting down of the drawbridge between the artist and the world. Shaw had no time for such ruses. Unlike most of his countrymen, he abominated charm, which he regarded as evidence of chronic temperamental weakness.
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Greatest generation came through some stuff that we can't even imagine - the Depression, World War I - and all they wanted after that was a breather and a calm and a quiet life, and they get us.
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When I set my eyes on the gold at the world championships, I was able to maintain that focus that whole day. That's what I aim to do in Rio - my focus is gold, so I can keep in that good state; I can't get too complacent. I can't relax; I can't be content. I need to be 100 per cent switched on.
