Cynthia Leitich Smith Quotes
For me, it's been a treat to interact with authors who were publishing when I was a young reader. Judy Blume once gave me a pep talk at a writing conference. I had a short story featured in the same anthology as Beverly Cleary. Magic.
Quotes to Explore
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The story was such that I couldn't make a graceful ending and then make a graceful new beginning. I could have, but I didn't want to. So, it isn't the most graceful way of writing a story. This new story is, I think, is pretty good stuff. I'm pleased with it anyway.
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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Make no little plans; they have no magic to stir men's blood and probably themselves will not be realized.
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I've got plenty of quirks. I go to an office early in the morning. Early in the morning is really good writing time. I take anywhere between six to eight showers a day. I'm not exaggerating. I'm not a germaphobe: it's all about a fresh start.
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Writing is an exploration. You start from nothing and learn as you go.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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We're more interested in someone writing a really great answer that's going to be read by thousands or tens of thousands of people over the next few years as it stays on Quora and as it gets distributed on the Internet.
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Every great man, every successful man, no matter what the field of endeavor, has known the magic that lies in these words: every adversity has the seed of an equivalent or greater benefit.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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When you're writing, you are robbed of your delivery.
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You could take away the singing, and I am fine. But don't take away my gift of writing. It is the best way I can relate and express what I am feeling and what I am going through.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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From 1999 on - until 2003 - I covered publishing in a weekly column for Wired.com and wrote for several other publications - altogether writing over 150 articles.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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I'm disregarding all the rules I've seen as people approach writing music. I'm trying to break them.
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I don't want to name any names, but I've worked on television shows where there's a guy writing for my generation who's, like, 60 - and it doesn't work.
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Writing is a very lonely occupation. To write you need to concentrate, to concentrate you need to lock yourself away. No distractions; you want your stream of thought uninterrupted.
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The mind travels faster than the pen; consequently, writing becomes a question of learning to make occasional wing shots, bringing down the bird of thought as it flashes by. A writer is a gunner, sometimes waiting in the blind for something to come in, sometimes roaming the countryside hoping to scare something up.
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Organizations for writers palliate the writer's loneliness, but I doubt if they improve his writing.... For he does his work alone and if he is a good enough writer he must face eternity, or the lack of it, each day.
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For us, my wife and I and all of my partners believe that corporations have to be corporate citizens, and individuals who benefit from them, or who have built them, need to give back.
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I came home in the afternoon to sleep, and there was this e-mail from Comedy Central saying they were interested in having me be part of this new show called 'Jump Cuts'! So I called them right away, and the producer started laughing and said, 'We sent that e-mail one minute ago - you're so fast!'
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I think that if you ask what's made us successful, it's because we've been fortunate enough to identify, in a number of cases, great people early. Then we throw all the resources behind them and are aligned with them.
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For me, it's been a treat to interact with authors who were publishing when I was a young reader. Judy Blume once gave me a pep talk at a writing conference. I had a short story featured in the same anthology as Beverly Cleary. Magic.
