M.I.A. Quotes
What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
Quotes to Explore
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In 2001, America 's hospitals provided nearly $21 billion in uncompensated health care services.
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The most important thing Paris gave me was a perspective on Latin America. It taught me the differences between Latin America and Europe and among the Latin American countries themselves through the Latins I met there.
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There are millions of Americans outside Washington who are tired of stale political arguments and are moving this country forward. They believe, and I believe, that here in America, our success should depend not on accident of birth, but the strength of our work ethic and the scope of our dreams.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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The terrifying and edible beauty of Art Nouveau architecture.
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President Trump will release America's pent-up energy potential, get rid of foreign oil, trash punitive regulations, create millions of jobs, and develop our most strategic geopolitical weapon: crude oil.
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Love isn't an emotion or an instinct - it's an art.
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I tell people to look at me and understand that everybody first told me that I couldn't be a 6-foot, 9-inch point guard, and I proved them wrong. Then they told me I couldn't be a businessman and make money in urban America, and I proved them wrong. And they thought I couldn't win all these championships, and I proved them wrong there as well.
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Technology, like art, is a soaring exercise of the human imagination.
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From America's schools, religion has been relentlessly purged. No prayers, no Bibles, no Christian symbols, no Ten Commandments.
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I like America, and I think probably the American people like me.
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Art is the lie that enables us to realize the truth.
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The shortcomings of America's political leaders do not stop at our borders.
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Fear of carbs, of gluten, of everything - we've distanced ourselves from the beauty of food, the art of it. It makes me sad when people say, 'Oh, I don't eat gluten. I don't eat cheese. I don't eat this. So I eat cardboard.'
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My motivation for being a good drummer was born out of fear, which, in a way, seems so antithetical to what art should be.
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I cite in my book countless examples of the foundational documents of the colonial period in America and the writings of the leaders, that this was intended to be a Christian nation.
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Music to me is so internal. It's physical and it's emotional. Whereas fashion is so much about the external that it's almost like a break. It's not inner turmoil. It's total escapism.
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Every libel, which is called famosus libellus, is made either against a private man, or against a public person. If it be against a private man, it deserves a severe punishment.
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The infrastructure of the US is a long-term suspension of disbelief that such things won't be exploded deliberately by people who don't create anything.
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The cinematic language and interior destiny of each Iranian film-maker is different. The international influences on them vary from Rossellini to Fellini, Akira Kurosawa to Hou Hsiao-hsien, but there is a strong sense of solidarity.
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What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
