M.I.A. Quotes
What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
Quotes to Explore
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In 2001, America 's hospitals provided nearly $21 billion in uncompensated health care services.
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The most important thing Paris gave me was a perspective on Latin America. It taught me the differences between Latin America and Europe and among the Latin American countries themselves through the Latins I met there.
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There are millions of Americans outside Washington who are tired of stale political arguments and are moving this country forward. They believe, and I believe, that here in America, our success should depend not on accident of birth, but the strength of our work ethic and the scope of our dreams.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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The terrifying and edible beauty of Art Nouveau architecture.
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President Trump will release America's pent-up energy potential, get rid of foreign oil, trash punitive regulations, create millions of jobs, and develop our most strategic geopolitical weapon: crude oil.
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Love isn't an emotion or an instinct - it's an art.
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Technology, like art, is a soaring exercise of the human imagination.
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I like America, and I think probably the American people like me.
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Art is the lie that enables us to realize the truth.
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The shortcomings of America's political leaders do not stop at our borders.
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My motivation for being a good drummer was born out of fear, which, in a way, seems so antithetical to what art should be.
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I cite in my book countless examples of the foundational documents of the colonial period in America and the writings of the leaders, that this was intended to be a Christian nation.
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The real names of our people were destroyed during slavery. The last name of my forefathers was taken from them when they were brought to America and made slaves, and then the name of the slave master was given, which we refuse, we reject that name today and refuse it. I never acknowledge it whatsoever.
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If the Christians who were alive in the 1770s behaved and believed like the Christians of today, there wouldn't be an America as we know it.
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The true architectural art, that art toward which I would lead you, rests, not upon scholarship but upon human powers; and, therefore, it is to be tested, not by the fruits of scholarship, but by the touch-stone of humanity.
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I'm obsessed with 'The Americans.' It's one of my favorite shows. I also love 'Baskets' - low-brow, high-art comedy.
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I don't really consider myself to be an actor of any particular style. My aim with every role I undertake is to be truthful and honest in that particular portrayal. I don't have a particular methodology from any one school of thought or training.
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We're all victims of our own hubris at times.
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What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
