M.I.A. Quotes
I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
Quotes to Explore
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Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today - but the core of science fiction, its essence has become crucial to our salvation if we are to be saved at all.
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That's what I love about our music - it'll never be a hit because you can't dance to it.
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Shareholders need to have a real interest in the companies they own. Too many are simply too busy - they are asleep at the wheel.
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I love so many styles of music.
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Working with Barneys, and choosing the looks, I was thinking about whether a real woman would buy this outfit and feel beautiful and comfortable.
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For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.
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Working manually is not considered bad in the U.S.
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It's not like I ever sat in my room and said I was going to start a media company and become an editor in chief. It was never my dream. It was something that just happened.
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I was always telling my family I wanted to become an actress, and I did.
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Everybody has values. Now, you know it may be formed in a secular setting, it may be formed in an intellectual setting, but everybody comes forward with values.
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I'm blessed. I have a 13-year-old girl's eye and a 14 year-old boy's eye. I've been given the gift of sight by people who decided to donate organs. I try to do as much organ-donor work as I can.
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Dancing is something I do. Not something I just want to do. It's something I just do, depending on how I'm feeling. I don't see myself taking that as just a job.
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Survival requires us to leave our prejudices at home. It's about doing whatever it takes - and ultimately those with the biggest heart will win.
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To put it bluntly, there isn't one economic theory that can single-handedly explain Singapore's success; its economy combines extreme features of capitalism and socialism. All theories are partial; reality is complex.
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Living in Cape Breton, it's really all about fiddle music, so it's not like there were other instruments out there that tempted me and it was like I had to decide which one. It was automatically fiddle, because it's the predominant instrument in Cape Breton Island.
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I originally passed on 'Girls' because I thought TV was evil.
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What Spotify pays me is not even enough to pay the musicians playing with me or the people working on the discs. It's not working. Something is going to have to give.
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I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'
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In 1990, I was in 'The Three Sisters' at the Royal Court and won the Clarence Derwent award for my supporting role as Natasha - the prize was £100. I could have paid the gas bill, but I ended up buying a porcelain and silver Bavarian coffee set in an antiques shop in Penzance.
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There is no way for me to replicate for you what a sentence reads like for a Chinese reader.
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I think New York is a really wonderful place to raise a child. There's so much available, and so much diversity and culture, lots of things to see and do. My whole family is here.
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In New York, FEMA granted the Mamaroneck Beach & Yacht Club's request to be remapped from the high-risk flood zone in August 2012 - just two months before the club was damaged and its outbuildings destroyed by Hurricane Sandy, which stacked up yachts at its docks like pick-up sticks.
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One of my favorite places I've visited is Havana, Cuba. On my way home from Costa Rica, I did a week in Havana. The colors, the music, the beautiful men and the cars! I love vintage and antique cars and own a couple myself.
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I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
