M.I.A. Quotes
I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
Quotes to Explore
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Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today - but the core of science fiction, its essence has become crucial to our salvation if we are to be saved at all.
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That's what I love about our music - it'll never be a hit because you can't dance to it.
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I love so many styles of music.
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Working with Barneys, and choosing the looks, I was thinking about whether a real woman would buy this outfit and feel beautiful and comfortable.
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For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.
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It's not like I ever sat in my room and said I was going to start a media company and become an editor in chief. It was never my dream. It was something that just happened.
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I was always telling my family I wanted to become an actress, and I did.
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Everybody has values. Now, you know it may be formed in a secular setting, it may be formed in an intellectual setting, but everybody comes forward with values.
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I'm blessed. I have a 13-year-old girl's eye and a 14 year-old boy's eye. I've been given the gift of sight by people who decided to donate organs. I try to do as much organ-donor work as I can.
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Dancing is something I do. Not something I just want to do. It's something I just do, depending on how I'm feeling. I don't see myself taking that as just a job.
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Survival requires us to leave our prejudices at home. It's about doing whatever it takes - and ultimately those with the biggest heart will win.
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To put it bluntly, there isn't one economic theory that can single-handedly explain Singapore's success; its economy combines extreme features of capitalism and socialism. All theories are partial; reality is complex.
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Living in Cape Breton, it's really all about fiddle music, so it's not like there were other instruments out there that tempted me and it was like I had to decide which one. It was automatically fiddle, because it's the predominant instrument in Cape Breton Island.
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I originally passed on 'Girls' because I thought TV was evil.
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What Spotify pays me is not even enough to pay the musicians playing with me or the people working on the discs. It's not working. Something is going to have to give.
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I struggled with the pressure of having the successful record after the first record. Second album syndrome. I'm living proof; it's very real. It was like a psychological battle to be creative. I used to never feel pressure to be creative; it's always just been a fun thing. And then suddenly it's my job, and people are asking, 'Where's the record?'
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One may no more live in the world without picking up the moral prejudices of the world than one will be able to go to hell without perspiring.
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The fact that logic cannot satisfy us awakens an almost insatiable hunger for the irrational.
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In a word, the free Church in a free State has been the programme which led me to my first efforts, and which I continue to regard as just and true, reasonable and practical, after the studies of thirty years.
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Southeast Asia is an area in which there is a form of Islam which is both devout and progressive, and therefore to be supported. It's an area in which I see a congruence of American interests and local interests: to have tolerant societies and become more prosperous.
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My first jobs were all civil service. At 14, I worked for the Canadian National Railways. At 16, I worked for the Canadian Penitentiary Service.
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Instrumental music can be about anything. It's about a mood, and I usually title my instrumental songs long after they're written. Sometimes I figure out the titles when I'm doing the CD package, and that's very common for a lot of people who write instrumental music.
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What's happening to movie critics is no different from what has been meted out to book, dance, theater, and fine-arts reviewers and reporters in the cultural deforestation that has driven refugees into the diffuse clatter of the Internet and Twitter, where some adapt and thrive - such as Roger Ebert - while others disappear without a twinkle.
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I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
