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What really drives me mad about art is that, in America, the only thing you can do is to take it apart.
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You have to have your fashion stylist person not sell out and sell your s - t to another pop star because they can pay them twice as much, and do it for the belief and the love of art.
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I just think that funerals are a lot like death itself. You can have your wishes, your plans, but at the end of the day, it's out of your control.
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I think when something becomes a comfortable genre, it's against what street art stood for in the beginning - breaking out of genres and taking art out of galleries. Now street art is in the gallery, and it's all made up into a nice, packaged concept.
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I come from a generation where you put the art out and had the luxury to sit back and watch the world deconstruct it, and that was valued. Unfortunately now the work lives in a weird context.
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I'm still working out my opinions - it's always a question mark. I leave loads of space open, and people don't like that.
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There has been an effect of business rap on the output of today's rap music. But I don't think that's the modern day rapper's fault.
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Uncomfortable silences. Why do we feel it's necessary to yak about bullshit in order to be comfortable?
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There's a bit of hope that a song can be about anything. If you want to write a song about anything, you can, and you don't have to put it through the process of having it be trendy or cool or generic pop or these types.
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I think I have to expand my creativity a bit, because it's difficult for critics to be, "Oh, this person writes their own lyrics and sometimes writes their own beats and sometimes makes her own videos." They funnel me through, "Oh, is it as good as blah-blah's record, which has had 50 million writers on it?"
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The consequence of making it a business thing and making an artist the same as a Wall Street trader is that you do get a robot by the end of it. It becomes more robotic as opposed to being more soulful.
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I'm not sticking up for white kids - I'm going to have a barrage of hate mail - but it's true. If you're poor, you're really poor.
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If you're talking about coexisting and tolerance then you have to live by example, and you can't have shiny people all the time everywhere, which is what breeds that sort of thinking - this is better than this, that is better than that.
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Instead of going to war, we should put the money into arts and culture and let creative people define what Britain is.
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Creativity needs time to harness before it goes out, and because that's difficult, memes have become the creative language.
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If it's just politics that's running music, f - k that. I'm out of here! I can't think of anything more boring.
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Across the world, on your phone, everybody gets the same list of things to read, listen to, and watch.
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I already feel that I am making a political statement by sticking around in music, when I am doing it so differently to everyone else.
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You need everyone to get together and just believe in it, and lead by example that it is possible to be outside the system, and that's really super-f - king hard, and I'm sure there's some geniuses out there who can achieve it.
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I don't really see a difference in independent and major labels. To me, it's pretty much the same. There used to be a difference between indies and major labels, but I don't think there is anymore.
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My experience has to be funnelled through a black experience or a white experience, or it doesn't exist, because that's how we're going to deal with the world.
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I don't have a community like a black community to belong to [with] a musical platform that's been built for years and years and years, or the film-making culture, and I don't have the white one to belong to.
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Any piece of art, when you're putting it on a certain platform, if the platform becomes a political place, you can manipulate things.
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Nowadays, [young musicians] are so quick to be like, "OK, fine, I'll take the cheque, or I'll get the stamp from XYZ, and I'm expanding my brand," rather than thinking, "I'm part of this space over here, and in order for it to grow, you can't have it assimilated by this bigger bubble or corporate brand."