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Music that was made in the 60s and 70s did come from a really soulful place. The seed for the songs written in the 90s were planted in those songs, even though they were samples.
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The first 10 years of my life, I lived as 'Matangi.' When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name. My auntie came from Europe to visit us, and she was like, 'Just call yourself something else.'
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I'm just so grateful for the 10 years that I had in Sri Lanka when it was in the middle of a war and I was getting shot at, because now and again I remember glimpses of those times, and I just go, 'Wow, I'll never, ever see that again in my life. And I'm never gonna feel that, and I'm never gonna feel for a human being like that.'
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In 2004, I went onstage for the first time. They put a mike in my hand and pushed me out the door into the crowd. I did the three songs I had recorded and got out. It was the worst day of my life.
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You have to constantly redefine who you are.
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In India, you see the way they embrace color in the culture - it's very celebratory of the existence of color. There's no rule of what color belongs together or doesn't belong together. They're not precious about it. It's very full-on.
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I think people were genuinely addicted to hip hop in the 90s, addicted to the idea of empowerment. I think it came from [the fact that] the rappers in the 90s, their parents coming from the 70s, had such a rich variety of records to sample.
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I feel like a mirror reflecting back everyone's perception of me.
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I don't understand why people make me want to make music that's a join-the-dots thing by numbers. I find it really difficult when people say, 'Aw, you should have made a really big hip hop record, that would have been really good for you' or, 'You should have made a song like Lily Allen, that would have been so great.'
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Before the Greeks were the Tamils. The Tamils are one of the oldest civilizations that's still surviving.
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Manhattan seems pretty developed, you know what I mean? Like, it has peaked in culture.
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It's a bit weird, because I don't really know what people expect or think being political is; I just don't get it. What am I supposed to do as a pop star-stroke-revolutionary? Get up and put my balaclava on, go to the grocery store and then invent some Google viruses, and then go to rob a bank to fund my revolution on YouTube?
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You have, in America, you have gang signs. Well, 5,000 years ago, there was thing called a mudra, which is your sitting position when you do yoga or you're meditating or you're praying or whatever. And there's not a lot of them that are named after gods and goddesses, but the middle-finger is specifically named the Matangi mudra.
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I have no ties to my dad. I had no communications with him; it didn't shape who I am or anything like that. I'm actually a product of my mom.
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I was part of the generation that pushed the Internet. In fact, I broke as an artist in the U.S.A. because of the Internet.
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I feel like people either love me or hate me, which is good, because that was the point of what I do. The point of M.I.A. is to be - it's either to be loved or hated. At least you evoke that much of a strong opinion about music.
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My father had no influence on my political beliefs, and to imply otherwise is wrong and irresponsible.
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The theme of counterfeits, of those that produce and sell them, has always been part of the culture of M.I.A. When I was contacted by Versace, it seemed a great idea to invert the circle. Versace's designs have always been copied; now it's Versace that copies the copies, so those that copy must copy the copies. So this will continue.
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I was shot at for being a Tamil in Sri Lanka, and then, everyone was calling me a Paki in London, and I'm not even Pakistani.
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With homogenized culture, even if you feel frustrated, you'd have to write a Taylor Swift song to get heard.
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Art is supposed to be about creativity. But the same people are the same art darlings every month, and it's a bit annoying. It's supposed to be diverse and interesting and conceptual and have weird concepts in a comfortable place.
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Sri Lanka is an island off the coast of India. There's two ethnicities there; one the Sinhalese, which is the majority and the government, and the minority, who are the Tamils. That's where I'm from. And my lifetime sort of began there; I spent 10 years, and I was there during when the war started and fled as a refugee to England.
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I never pigeonhole myself into any religion, but I feel it has found me. I am trying to make sense of it... the essence of the Mathangi concept.
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Tamils all over the world have a sense of belonging to the world itself, but our ancient roots come from India. I would like to explore India. I will keep coming back. This is the closest I can get to home.