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Matangi's mantra is aim, which is MIA backwards. She fights for freedom of speech and stands for truth, and lives in the ghetto because her dad was the first person in Hindu mythology who came from the 'hood, but had gained enlightenment through not being a Brahmin.
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Tamils all over the world have a sense of belonging to the world itself, but our ancient roots come from India. I would like to explore India. I will keep coming back. This is the closest I can get to home.
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My record label always says you shouldn't talk about money because it makes people extremely uncomfortable. Refugees can't talk about money. Rappers can talk about money; refugees can't talk about money.
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In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, "Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . ."
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In my head, I actually think my songs are pop songs. I think, 'Damn, that's a pop song!' I can practice in front of the mirror with my hairbrush for as long as I want to. But when it finally comes out, it sounds avant-garde to people.
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I remember taking my demo to every dance person in London. People were like, 'We don't know what this is!' The first people to champion me were a club in Manchester.
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I feel so terrible for the kids now. In London, even people in their forties can't afford to buy a house or have kids.
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My giving birth was nothing when I think about all the people in Sri Lanka that have to give birth in a concentration camp.
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When I first came out, I was a film student, and my mom sewed clothes. I was already doing a million things then, whatever it took to survive. If I had to braid someone's hair to get one pound for my lunch money, that's what I did.
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As an artist, you want to play around with mediums and see if you can get the point across in different way.
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I never pigeonholed myself - the only reason you'd want to pigeonhole is to monetize your business and, as a person, I don't see the importance of doing that. My music took off above the rest of those things: You can just make a song, put it on a CD, and get it out to all these people.
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I feel like I'm living in the dead weeds of hip-hop. I live in the graveyard of what went wrong with hip-hop.
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I'd be very controversial if I said why, and I don't do controversial anymore. That's too passé. So last year. Being controversial is boring now.
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By the time it came to the 90s, the late 90s, being a businessman was the beacon to uphold. We've been having the concept of the best rapper equals the best businessman.
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Everything I think seems to be controversial, so I feel like I need to just go away for a second and put it all down on paper until the storm passes.
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That's what New York is like - you can't have real art happen in an institution because rich people can make the world stop. The stuff on the street is a lot more interesting.
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I find the new Justin Bieber video more violent and more of an assault to my eyes and senses than what I've made.
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The mentality has taken over because of the way we've promoted things. It's been accepted, to live with fear, and to fear that it's going to be terrible, prepare for the worst. The meat and potato of our existence right now is influenced by what happened after 9/11 - we put our thinking into protecting borders.
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I felt pissed off because I realized that you have to teach people in a clichéd way how to be happy-and happiness has become too one thing in American media. Achieving happiness is not really about having a flat stomach and the best car.
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Somebody told me that if you wake up every day and do stuff that's easy, then you're doing the wrong thing. If you wake up every day and do stuff that's really hard and you manage to get through to people, then you're doing the right thing. They might have just fooled me by telling me that, but it worked. I think that's my philosophy.
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You can't turn up at college in stilettos and say you're gonna be a filmmaker. In the college, they were teaching me avant-garde filmmaking, where I had to make films that were, like, an hour long about nothing. I just refused to do it.
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Culturally, I found myself in a very weird situation: you were the person that had made that journey to the West, and then you were going back to comment on something, and then suddenly you were questioned and told, "You can't touch that now because you're a pop star."
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The music industry was invented, like, 100 years ago. I'm talking about the goddess Matangi, who invented music 5,000 years ago. She was the only thing that inspired me.
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You have to have your fashion stylist person not sell out and sell your s - t to another pop star because they can pay them twice as much, and do it for the belief and the love of art.
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