Carol Kane Quotes
Quotes to Explore
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I'm afraid to fail again.
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I am writing a book called 'The History of Australia in Hundred Objects.' It's of things we have invented in Australia. And you know, some of them are amazing. We invented the clapper boards used in films. We invented those cranes - those big long cranes used on construction sites.
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Whether I sound like Sammy or not is purely coincidence. You have got to hand it to him, he sings his ass off. There is no moss on that stone.
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Family entertainment is really very necessary in our culture. Look how profitable they are. It's almost not discretionary. You need to take your family to the movies.
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You feel it in there, pacing your heart sometimes, and it has what's called a defibrillator. Should I suffer that arhythmia, it's generally sudden death. And the paddles that are internal shock you back and restore your rhythm to its normal and natural state.
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We've all heard of the surveys revealing that teenagers think cows lay eggs, and others where children can identify more brand logos than trees, by a staggering margin. My view is that children will form a significant part of the green fightback. They instinctively understand the value of the environment.
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The one thing that you simply have to remember all the time that you are there, is that Hollywood is an oriental city. As long as you do that you might survive. If you try to equate it with anything else you'll perish.
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I'd repair our education system or replace it with something that works.
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Only then, approaching my fortieth birthday, I made philosophy my life's work.
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I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted.
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That was a huge part of my training, doing improv in Chicago.
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If we want to recruit and retain high-quality teachers, it starts with a fair wage, adequate working conditions, and the resources and support to succeed. Remember: teachers' working conditions are students' learning conditions.
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Rather than waiting to restore fiscal responsibility after we pass legislation, we must work to ensure we remain committed to it as we draft legislation.
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There's some quality you get when you're not totally comfortable. When you're not doing what you're used to, you could completely fall on your face. You could completely blow it.
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Having a credible existence in the private sector frees people to be able to be better public servants. You're less concerned with... toeing the party line and more concerned with doing what is right.
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I really don't know the secret to it, but I'd like to think my desirability is a combination of my personality, my image, and, most importantly, the kind of films I do.
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Every vote should carry a serial number, so that responsibility for harmful or careless use of the vote can be traced. Concealed voting should be outlawed.
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Whereas if you have a camera in the courtroom, there's no filtering. What you see is what's there.
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I think it's great anytime somebody can be in control of their own distribution.
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Persistence is to the character of man as carbon is to steel.
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The game in beauty is changing so much, if your product isn't high tech or can't make a unique performance claim - plump your lips, reduce your lines, look glossy, and stay on for 24 hours - you can't go to market today. I'm not just talking about a $20 lipstick, but a $5 lipstick!
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I've managed to completely reeducate myself into making eating secondary. I used to eat all the time because the food was there. Now I feel like a kid in school who is gaining points for behaving. And I love myself for it.
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I was afraid that she would express herself in dialect, that she would say something vulgar, that it would become obvious that school for her had ended with an elementary-school diploma. I was afraid that, if she merely opened her mouth, everyone would be hypnotized by her intelligence and Professor Galiani herself would be entranced. I was afraid that the professor would find her both presumptuous and naïve and would say to me: Who is this friend of yours, stop seeing her. I was afraid she would understand that I was only Lila’s pale shadow and would be interested not in me any longer but in her, she would want to see her again, she would undertake to make her go back to school.
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In high school, I did the 'The Tempest' at Lincoln Center for Joe Papp.
