Curtis Hanson Quotes
Movie stars exaggerate certain things to let the audience know they're just playing a character, as if they're saying, "Look at me, I'm not really an old man, I'm just playing one." Or "I'm not really a homosexual, I'm just playing a gay character. Or an alcoholic. Or somebody who's mentally impaired." They often do it very successfully and win awards for it.
Quotes to Explore
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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The Russo brothers are the best people ever, and they cast me in 'Happy Endings.' I did text Joe Russo to say, 'I don't think my character dies, so if you need a local news cameraman to show up in 'Captain America 2'... I know it doesn't make sense, but just hear me out on this!' He was really cool about it and turned me down right away.
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I really loved 'Witches of Eastwick', the movie with Michelle Pfeiffer and Jack Nicholson and Cher.
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All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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Like all weak men he laid an exaggerated stress on not changing one's mind.
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I played a character in 'Ransom' who was as evil as they come.
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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Any character that can't be kept straight, to me, isn't a character who should be in the book – you know, anyone not vivid enough to have a claim on my attention.
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Men are what their mothers made them.
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In Finland we have equal political rights for women and men. We do not regard ourselves according to sex.
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It's successful, middle-class Arab men and women, professionals with seemingly happy family lives, who are prepared to go to paradise for a greater cause. That's terrifying.
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I think things are funny when the character is taking it totally seriously.
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The only way to see a movie is in a big theater, on a big screen, with a big bag of popcorn.
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For the 'Riddick' character, I try to get as ruthless as possible, and I want to be a machine.
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You can be a man who loves a woman but love someone the way a gay man loves another man or a woman loves a woman.
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I don't really live by plans.
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I remain dedicated to building an economy that works for every American and every community. I remain committed to ensuring our security at home while also ensuring we lead the world in improving security around the globe.
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I meditate. I breathe out what I can't control and focus on the positives.
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After the last line of a poem, nothing follows except literary criticism.
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Movie stars exaggerate certain things to let the audience know they're just playing a character, as if they're saying, "Look at me, I'm not really an old man, I'm just playing one." Or "I'm not really a homosexual, I'm just playing a gay character. Or an alcoholic. Or somebody who's mentally impaired." They often do it very successfully and win awards for it.
