Curt Coffman Quotes
A great manager is someone who says, 'You come to work with me, and I'll help you be as successful as possible; I'll help you grow. I'll help you make sure you're in the right role; I'll provide the relationship for you to understand and know yourself. And I want you to be more successful than me.'
Quotes to Explore
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I eat healthy and don't go by a diet chart. The breakfast is usually heavy, complemented with short frequent meals. My dinner is high on proteins and low on carbohydrates.
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My memory of my home was that it was very happy, and that there was more fun and life there than there was anywhere else.
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I have to be on such a strict diet constantly.
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The reason a poet is a poet is to write poems, not to advertise himself as a poet.
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Adding 'just kidding' doesn't make it okay to insult the Principal.
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France is a fantastic country. It's between the Anglo-Saxon and Latin cultures. We have some of the Anglo-Saxon rigor, and some of the Latin quirkiness.
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Virtue knows that it is impossible to get on without compromise, and tunes herself, as it were, a trifle sharp to allow for an inevitable fall in playing.
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I don't try to just be a blues singer – I try to be an entertainer. That has kept me going.
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I work hard, and I do good, and I'm going to enjoy myself. I'm not going to let you restrict me.
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I suppose I shouldn't go around admitting I speak untruths on the radio.
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The only way of knowing a person is to love them without hope.
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Someone once told me I looked good in red, so I bought every piece of clothing in red and bright-red lipstick. I had huge hair, as big as I could tease it and spray it.
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I wish I had had a great disappointment, a real one.
Nastassja Kinski -
Love is dangerous; it's not something to be trifled with. As good as it feels on the way in, it feels that much worse on the way out.
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My first Top of the Pops I didn't want to do. I was terrified. I'd never done television before. Seeing the video afterwards was like watching myself die.
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I enrolled in an acting workshop and my first acting role was on the TV soap opera 'Melrose Place.'
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I can't even go down to the park anymore back home in Newark, New Jersey because my homeboys won't let me play. They tell me I'm too big time, too Hollywood, so they won't let me play out there no more.
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All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what's inside of all of us. If we X-rayed the insides of different human beings, we wouldn't be able to tell from those X-rays what the person's language or background or race is.
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There is no middle ground in Hollywood; you're a failure or you're a success. That mentality is wild.
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I came to America at the age of 17 as an exchange student, and a year later, I was a student at Dartmouth. I would say that the rather weak foundation of my Christianity was effectively battered at Dartmouth. I've had mostly a secular career. But I became intellectually interested in Christianity again in my mid-30s.
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This band has a weight to it. Our songs feel important to play... That was missing in my life without Sleater-Kinney.
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I'd love to remain a secret and still work, but I also want people to see the movies I'm in and get a higher profile because of that. I like to think that as long as you continue choosing diverse roles, you can avoid becoming predictable.
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Long, creative relationships are unusual in rock'n'roll, but the mileage and the knowledge and the understanding from having been around with [Brian Eno and Daniel Lanois] for 20 years makes them a pleasure to work with.
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A great manager is someone who says, 'You come to work with me, and I'll help you be as successful as possible; I'll help you grow. I'll help you make sure you're in the right role; I'll provide the relationship for you to understand and know yourself. And I want you to be more successful than me.'
